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ENB Q&A With Isaac Hernández and Jurgita Dronina

ENB Q&A With Isaac Hernández and Jurgita Dronina

The English National Ballet are touring with Kenneth Macmillan’s Manon for only the second time in 30 years. It has been selected as one of ‘Autum 2018 unmissable events’ by The Guardian, The Sunday Times, The Sunday Telegraph and The Mail on Sunday.

Ahead of being invited to the premier for review next week, we thought we’d give you a tantalising teaser with a Q&A with 2 of the lead principals – Isaac Hernández and Jurgita Dronina.

Isaac Hernández, Lead Principal at English National Ballet

Q. How did you get into ballet?

I.H. Both my parents were ballet dancers, so it was in the family. I grew up in Mexico, the seventh of eleven children. We were home schooled, and alongside our academic studies, we also did ballet classes. It was a great childhood and I was hooked on ballet as an art form from an early age. I then headed off at the age of 13, to the Rock School for Dance Education in Philadelphia.

Q. What’s special about Manon – in particular, this version by Kenneth MacMillan?

I.H. For me, it’s the narrative – the roles are well defined and so you get a real sense of a story unfolding on stage. I think it’s the most dramatic ballet I’ve ever danced – your acting ability as a dancer is really tested, which I enjoy.

Q. Tell us about the role you are dancing in Manon?

I.H. I’m dancing the role of Des Grieux, the penniless student who the central character Manon falls in love with. It’s a great role to dance – he’s naïve, romantic and a bit of a dreamer and so taking on his character allows you to go back to the simplicity of being a young man, experiencing life for the first time, and the emotions that go with that.

Q. What is your favourite thing about touring with English National Ballet?

I.H. For me, it’s being able to perform for audiences all around the UK – it feels like we build a connection with the cities we tour to and returning to these audiences feels special.

Q. Give us 3 words that sum up the ballet Manon for you?

I.H. Passion, jealousy, tragedy.

Jurgita Dronina, Lead Principal at English National Ballet

Q. How did you get into ballet?

J.D. I did lots of different types of dancing as a child – hip hop, street dance, ballroom. I also tried gymnastics, but I didn’t like it, so my teacher suggested I give ballet a go. My mum took me to see a ballet performance and I really liked it. I then auditioned and got into the National Ballet School in Lithuania, and my career started there!

Q. What’s special about Manon – in particular, this version by Kenneth MacMillan?

J.D. This is one of MacMillan’s masterpieces. The storytelling is just fabulous. As with all of MacMillan’s ballets, he finds the human relationships, emotion and realness in the story. In that sense I can find how to relate this ballet to modern life, and the way that one decision can have such an impact. In this story, you see Manon’s decision and how she can’t escape the consequences that spiral out of control in her life from then on. The audience sees her tragic destiny unfold.

Q. Tell us about the role you are dancing in Manon?

J.D. I’ll be making my debut in the role of Manon – it really is one of the dream roles for a ballet dancer, and one which I feel I’ve been waiting to do for a long time. She has a complex character and I enjoy working through the different layers and challenges she must face and working out how to best portray them on stage. The way you walk, stand, gesture – it all adds up to her character. I find there is a very clear idea of how she is seen by others and what she is to herself. There’s also her interactions with others on stage and the way the movement can convey the different relationships she has with each of them. It’s fascinating and very interesting to work it out.

Q. What is your favourite thing about touring with English National Ballet?

J.D. As we tour we bring the best that English National Ballet has to offer all around the UK. We bring an exciting and varied repertoire to different cities and different audiences and for me that’s really special.

Q. Give us 3 words that best sum up the ballet Manon?

J.D. Love, desire, destiny.

English National Ballet performs Manon at Manchester Opera House, 17-20 October 2018, before heading onto the Milton Keynes Theatre, 24 – 27 October, Southampton’s Mayflower Theatre, 31 October – 03 November and finally st London Coliseum 16-20 January. Tickets can be purchased by visiting the website http://www.atgtickets.com

Don’t forget to follow our Facebook http://www.facebook.com/danceniche and Instagram http://www.instagram.com/danceniche pages for up to date news and inside information at the premiere of Manon next week, and check back here o our website for our review article on what we really think of it!

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