Meet the Founder

 

Wondered how Dance Niche came to be? Come and read about how it all began and the face behind it!

Meet our founder

Get In Touch

 

Here at DNHQ, we love to connect with our followers, it is called ‘social‘ media after all! Leave us a message on here or any of our other platforms such as Instagram, Facebook and Twitter and we will gladly reply!

Let’s Work Together

 

Are you in the dance or arts genre? Do you have a business that relates and want to team up? Here’s where to start.

Let’s work together

Tag: what’s on in Manchester

10 reasons to take your children to My First Ballet

10 reasons to take your children to My First Ballet

My First Ballet is a special programme conducted by the English National Ballet especially designed to be viewed by children. They take the classic ballet stories we all know and love, and adapt the plot, choreography and staging to make it suitable for a younger audience. Here are 10 reasons why your children will love My First Ballet.

• There are characters they will recognise – many traditional ballets feature iconic characters or are based on well-loved fairy tales, this version of Sleeping Beauty includes Aurora, Carabosse and Lilac Fairy as well as other well-known characters such as Red Riding Hood and Puss in Boots.

Introduce them to new music – Tchaikovsky can rarely be heard on CBBC and this ballet will help introduce them to a whole new world of classical music. There may also be some music that they recognise, the Garland Dance from Sleeping Beauty is featured in the Disney film so may be familiar to young ears already!

They will learn something – most story ballets have a take away message that the audience can leave with, often several, and English National Ballet’s My First Ballet series includes ballets especially designed to help children learn something through the acting and movement. The key messages in My First Ballet: Sleeping Beauty are the importance of inner beauty, kindness, forgiveness and friendship.

It’ll be an experience for the whole family – it’s the perfect treat for children as well as parents. Dance is a universal language, and My First Ballet is also narrated to help explain some of the ballet mime so that the story is clear to any newcomer (young or old).

They can get dressed up – if your children want to go in their favourite outfit, or even ballet costume, anything goes. Going to the theatre can be a very ceremonial affair, or you can stick to casual wear too!

It’s better than watching TV… – if you’re wanting to get your children away from their screens, why not take them to a show – experiencing live theatre and dance is sure to make a more lasting impression on young minds.

The costumes – tutus, sparkles and pointe shoes… need we say more! There’s something for all, with an array of animal costumes featured in Sleeping Beauty as well as the traditional.

They will leave feeling inspired – if you have a blossoming dancer at home, going to see a professional ballet performance will only help inspire them to stick with it, they may even want to try out some new moves!

They’ll be blown away – by the strength and power of the dancers and by the sheer impressiveness of some of their leaps and positions they hold.

They’ll be able to understand everything – the My First Ballet programme includes widget symbols which help everyone to understand the movements on stage, and the narrator also helps to explain the action and ballet mime so that everyone can follow the story.

My First Ballet is wonderful opportunity to introduce children to the theatre for the very first time, yet it proves so effective, that people return with their little ones year after year and enjoy some quality family time together as well as being culturally educational.

My First Ballet – Sleeping Beauty will be arriving at the Manchester Opera House on 25th & 26th May, before visiting Oxford and Tunbridge Wells to compete the current tour. Tickets and all other information can be found here https://www.atgtickets.com/shows/my-first-ballet-sleeping-beauty/opera-house-manchester/

Finally, I’ll leave you with a trailer so you can see how amazing the production is!

https://youtu.be/JBDztQh64Psn

I will be reviewing the production next weekend, so keep an eye on my instagram and facebook pages for sneak peaks in the stories!!!

Dance Niche

Want a bigger dance fix? Follow us:
error
Dirty Dancing on Stage | Review

Dirty Dancing on Stage | Review

The 1987 box office hit Dirty Dancing is one of the most popular, classic films of all time, thats why I included it in my list of top dance movies you can read about here http://danceniche.com/2017/12/28/top-dance-movies-you-need-to-watch/ The film also includes one of the most iconic dance scenes, replicated at weddings everywhere! The musical version first hit stages in 2006, and became the fastest ever selling west end show! After productions being rolled out world wide, the current adaptation came back to UK soil in 2011, with this tour starting in September 2018.

Right from the offset, you know you’re in for a real treat of an evening! The clever staging of Kellerman’s is almost like an exact replica, instantly recognizable, including other focal points like the wooden stairs leading up to Jonny’s chalet, the front of his black Chevrolet, and the infamous stage inside the main house.

The music transports you straight away, and although songs in their own right, they are now interwoven with the movie. I have to say, this stage production is just like watching the movie itself. Casting choices, costumes, actors mannerisms are all a perfect homage to the film. Classic one liners like “I carried a watermelon” are all been included for you to mime along with. That being said, there are some wonderful added scenes to pad out sections of story telling that just wouldn’t correlate on stage, and some comedy moments thrown in for good measure!

Kira Malou plays Baby, and is one such character who certainly adds to the laughs! The scenes where she intersects the staff party and has her first taste of saucy swaying is hilarious. Kira’s facial expressions, gawky awkwardness and over the top stiff hip movements have the audience in hysterics! It’s plain to see she is an able dancer, but to portray a character as having no dance experience at all is highly commendable.

Jonny is played by Michael O’Reilly and with his honed physique, snake hips and pants so tight they might as well have been spray painted on, embodies the late, great, Patrick Swayze. It’s undeniable that Swayze made the role his own, and no one could ever recreate that magic, but Michael did an honorable job, and I could think of no one better for filling those boots. The brooding arrogance he brings to the role is offset only by the puppy dog eyes he makes at Baby, making every girl in the auditorium wishing they could trade places with her!

Simone Covele, with her gazelle like legs that seem to go on forever is the perfect choice to play Penny, and boy, does she know how to use those legs! Not only do her legs seemily go up to her ears, but they go beyond that when she unleashes a kick or extension, and with such explosion, , implores gasps of amazement!

The level of dance technique is outstanding. Multiple pirouettes, acrobatics and death defying lifts keep the audience yearning for more! The energy from every single member of cast and ensemble really helps to give the show a buzz that never comes down! The iconic dance scenes from the film are all present on stage, including ‘spaghetti arms’ ‘lover boy’ and THAT LIFT!!!! Michael lifts Kira, but together in that moment they lift the roof off with the rraction from the audience. It really is a special moment and one I have never experienced before!!

Favorite moments include the lake scene which is cleverly devised with set, lighting and sound and not without its own injection of humour, the end dance scene with cast and audience in a state of euphoric ecstasy, and the band keeping the party atmosphere going well after the finale. There are a few, let’s say ‘cheeky’ moments from Michael, lovers doing what lovers do, and rather raunchy dance moments that might prove a little too informative for younger members of the audience, amd it does carry an age guidance of 12+, but on the whole, the show is wonderfullyand thoroughly entertaining!

Dirty Dancing – the classic story on stage – is currently showing at The Palace Theatre Manchester untill Saturday 27th April, tickets can be purchased here https://www.atgtickets.com/shows/dirty-dancing-the-classic-story-on-stage/palace-theatre-manchester/ It moves on to Guilford, before returning up north and across the Mersey to the Liverpool Empire 6th-11th May, and continues it’s tour, ending in August. Full details of dates and locations cam be found on the official website https://dirtydancingontour.com/ .

This is definitely one show you do not want to miss, and with ticket proces starting at just £13, it’s an absolute steal!!! I can guarantee you’ll be doing salsa in your seat and cha cha to the car!

Dance Niche

Want a bigger dance fix? Follow us:
error
Dirty Dancing Tour Cast Q&A

Dirty Dancing Tour Cast Q&A

Dirty Dancing is inarguably one of the most iconic dance films…….ever!! So much so, that I included it in my top dance movies, which you can read about here http://danceniche.com/2017/12/28/top-dance-movies-you-need-to-watch/

but did you know that there is a staged musical version currently touring the UK?! The Dirty Dancing Tour is set to hit The Palace Theatre Manchester next week, and to entice us, cast members Kira Malou as Baby, Michael O’Reily as Jonny and Simone Covelle as Penny, answered a few questions on being involved in such a cult classic!

How does it feel taking on such iconic roles?

Michael: Once you get over the fact that it’s quite a daunting role to take on because it’s so well-known it’s just really exciting. Everyone is so familiar with the show and they’re so familiar with the characters that you’re just excited to do it justice, you’re ready to put in the work and bring it to life.

Simone: I agree. It’s so exciting. Being able to play such an iconic role in a show that brings the movie to life on stage is an amazing privilege.

Kira: It is really exciting but of course there’s also a lot of pressure to do the characters justice because they are so well-known and so iconic.

What’s your approach in terms of bringing a fresh take to the characters?

Kira: I don’t want to stray too far from what Jennifer Grey did in the film because I personally feel the choices she makes are things I’d do as well. Although I’m being a bit bolder with the choices so when she’s being sexy, I want people to be able to see that “Baby” can be really sexy, fiery and smart – to really show the depths to her.

Michael: It’s about ‘How would I behave if I was in the same situations?’ That frees you up to bring something of yourself to the role, to put elements of yourself into the portrayal.

Simone: It’s about thinking ‘What would I do in this situation?’ whilst thinking about Penny and the era in which the story is set, namely 1963. It’s such a different time to now and what she goes through is quite heavy so to think ‘How would I feel if I was in that time and that situation?’ is a great help because in real life I have a very different personality to her.

In what ways can you relate to your characters? And in what ways are they completely different?

Simone: The big red flag for me is what Penny goes through. She’s in quite a sticky situation and has to make some big decisions. I feel she’s quite isolated and that’s a struggle for me to understand because I’ve never really been isolated myself or had to make massive decisions that would have such a major effect on my life. But I love the fieriness of her, although it’s hard being mean to Kira on stage when we get on so well, I can relate to her passion for dance.

Kira: I’m not proud to say it but I’m not like Baby in terms of education. She knows a lot about politics and what goes on in the world but I feel I’m not in touch with that side of myself as much. But I do feel quite similar to her in that I remember when I was 17 and the first time I fell in love and doing so much to be close to that person – things I’d never think to do on a regular basis just to be with someone. I also relate to the closeness she feels with her family.

Michael: Obviously Johnny in the show is a dancer and I trained in dance myself so that’s kind of the hook I latch onto. We come from a similar background, with the training everyone has to go through, but fortunately I haven’t gone through the serious, crippling financial situation Johnny has been through or the unexplained relationship with his dad and the fact his mum is never mentioned. That’s a whole grey area that we don’t even know about and it’s a part of the character that I have to work to understand.

How is the classic story recreated on stage?

Kira: The script is the same as the film scene-by-scene, with a few extra little surprises in there, and I feel it’s done really well. The set is a smaller replica of the actual Kellerman’s resort and in fact there are three big trucks they use for the staff quarters, the inside and outside of the hotel and the resort cabins. The music, of course, is so iconic and it’s done so well with the live band being on stage. They are fantastic musicians.

Michael: The team do such a good job of bringing the story to the stage so it’s like reliving the film live. You’ve got all the dances, all the music, the band’s on stage kicking butt – it’s such a fun show.

Can you recall when you first saw the film and the impact it had on you?

Kira: I vividly remember watching it on videotape because my mum had it and I remember watching the dance scenes in the staff quarters and I was like ‘Oh my God!’ So I knew exactly how Baby feels when she goes to the resort. It was mesmerising.

Michael: I remember my mum watching it when I was really young and being like ‘That’s not my type of film’ as I went off to play sports or whatever. Then I revisited it when I got into the dance industry more and I was like ‘Actually, it’s a really cool film’. The more time I spent in rehearsals looking through the script, which is the same as the film, we talked a lot about it being about bravery and becoming the person you want to be, regardless of your situation and people telling you you can’t. That’s very inspiring and I think that’s why it has done so well.

Simone: When I saw it I was like ‘I just want to be a part of this, to just be in there’ especially with scenes like Do You Love Me? where they’re just having a party and I remember watching the Mambo and thinking ‘My goodness, I want to do that!’ and now I get to do it.

Michael and Kira, how much pressure is there to get the legendary lift right?

Kira: It’s a huge pressure because everyone is waiting for that lift. It’s so iconic to the film, isn’t it? But when it comes to recreating it, I trust Michael. I trust that even if I fall he’ll have my back, but touch wood nothing’s gone wrong yet.

Michael: The fun bit is when we do the lift in the water, which is done by visual effects. That’s fun because it’s where you get to mess it up and go wrong.

What other challenges does the show present for you physically?

Kira: I’m a trained dancer, but I have to appear like I’m not. I have to reverse everything I’ve been taughtand make it look bad, without making it look like I’m trying to be bad.

Simone: The Mambo is quite challenging. It sort of comes out of nowhere and is really explosive and fast-paced.

Michael: It’s a very dance-heavy show, as you’d expect, but I don’t think I realised quite how dance-heavy it is until we started rehearsals. There are a few numbers back to back and you’re dripping with sweat, like ‘Oh man, we’ve got to go on for the next number’ before you’ve even got into the next costume. Physically it’s a tough show but that’s why we do it – we love that challenge.

And what are the emotional challenges?

Michael: All of our characters have a moment where we have to go to that place emotionally and it’s always a challenge, but as an actor I feel like those are the fun moments too because they’re the moments where you can be brave enough to go to that place and feel all those feelings. You trust the audience is there with you and your partner is with you on stage emotionally too.

Simone: I think most of us break down into tears at some point in the show and you don’t want to make it look fake so you have to make it as real as possible. When you come off stage after a scene like that, you just have to shake it off because you get really emotional. It’s a rollercoaster but it’s exciting.

Kira: You have to take yourself to a place that maybe you don’t want to go to on that day but you just have to let yourself go there. In the scene where Baby is talking to her dad there’s this big monologue and it’s quite emotional, then you have to come off from that scene and go into the next scene with a new mindset whereas in real life you’d have a few hours to sort yourself out.

The music is a massive part of the Dirty Dancing experience. Do you have a favourite song from the show?

Kira: Hungry Eyes. I love that song and always have. Before I even auditioned for the show it was my alarm in the morning!

Michael: For me it’s (I’ve Had) The Time Of My Life. It was a massive hit and it’s such a popular song.But it’s my favourite because it comes right at the end of the show. It’s such a climactic moment where everyone is on stage dancing together and there’s a moment where Johnny comes through the crowd so there’s a real connection with the audience.

Simone: Mine’s Do You Love Me? Love the routine, love the song, and it feels free where it’s like a party scene with your mates. It’s really raw and fun.

Michael, this is your professional debut. How are you finding it?

Michael: It’s been indescribable really. It’s been an amazing journey and I’m so privileged to be able to do it. It’s a great role, a great show, the cast have been amazing, the team have been fantastic, everyone’s helped me along on the journey and it feels like we’ve become a really strong team.

What are you all most looking forward to about taking the show on tour?

Kira: I love connecting with different audiences in different venues. We get excited moving around the country so we’re buzzing on stage and the audience feeds off that.

Michael: I think we’re really lucky to take the show on tour because we get an opening night every week. It also means you get to perform for a huge range of people and the fact you’re travelling together makes you a stronger company.

Simone: It keeps it exciting because you’re not within the same four walls for a long time. It feels new each time and for me, being from Australia, getting to travel the UK is awesome.

What’s the one thing you couldn’t be on the road without?

Michael: I’d have to say my NutriBullet…

Kira: [Laughs] Six-pack yawn!

Simone: For me, it’s my hubby. He’s coming on tour with me so he’ll be my taxi driver.

Kira: I like to have books with me. I do like reading and it’s nice to wind down after shows by taking yourself off to some imaginary place.

It sounds amazing! But don’t just take thier word for it, check out the trailer here!!! https://youtu.be/bgOVcCrZjoo

Goosebumps!!! Dirty dancing Tour will be arriving at The Palace Theatre Manchester from Mon 22nd April to Sat 27th April. Ticket and date information can be found on their website https://www.atgtickets.com/shows/dirty-dancing-the-classic-story-on-stage/palace-theatre-manchester/

I will be watching on press night, so keep an eye open for the review article!

Dance Niche

Want a bigger dance fix? Follow us:
error
Birmingham Royal Ballet’s Beauty & the Beast Review

Birmingham Royal Ballet’s Beauty & the Beast Review

Forget the story you think you know of Beauty and the Beast, and be transported back into a world of folklore and enchantment with the Birmingham Royal Ballet’s retelling of this classic fairytale.

From the moment the curtain rises, you’re thrust into a magical medieval relm and back to your childhood. The swish of a cloak turns a bright eyed bushy tailed fox into a fiery red headed girl almost instantly. Furniture that serve unexpected guests of their own free will. Seeing is most definitely believing, and you’re not even wondering about the how, because it’s all too captivating.

Yvette knight was innocent and unassuming as Belle. Perfect for “a girl with her nose ways stuck in a book” Her stature and pose gave her dancing an etherial quality.40182381283_cf236822a6_o

The Beast was danced by Brandon Lawrence. He performed with great power and intensity, an angered and ferocious wild animal. His leaps and jumps are gravity defying.40182381453_bc023aedfe_z

Beatrice Parma as Vixen was my personal favorite. With a twinkle in her eye and a spring in her step, she was every inch the sprightly fox maiden. Her dancing was effortless and the height of her leg extensions were breathtaking!40182381063_cee32c0db8_z

The setting and lighting designs seemed to have been lifted straight from pages of a fairy story. Grandeur book cases filled with leather bound, gilded books, castle ruins suffocating in vines and roses, not forgetting an enchanting ball room, complete with candles and chandeliers. Artifical smoke played a huge role in creating atmosphere, with beams of light breaking through to create light and hope, and dim underlighting when a more ominous feel was needed.46233108045_929f0ea552_z

There were surprising comedy elements included, particularly in Act 2, involving Belle’s 2 sisters (Laura Purkiss and Samara Downs) fighting over a portly suiter Monsieur Cochon (James Barton) and a pompus court dance!

The costumes really were exquisite! With luxury silks, heavy velour and plenty of embroidery and brocading, it was clear no expense was spared. The Beast’s and other animal’s fur ‘skin’ was very cleaverly achieved with catsuits covered in textured tufts, and their masks were immediately identifiable as to the animal they were. I, along with everyone I’m sure, were waiting to see Belle’s trademark yellow princess gown and how that could possibly be danced in. When she finally emerged, there were gasps from the audience. A very extravagant yet practical conpromise had been made, that still created all the drama and opulence you’d expect! Stunning!47147351751_c21d0690bb_z

2 scenes stood out for me in particular. The first, when Belle is transported to the Beast’s castle by a flock of birds. There were so many dancers on stage, all intertwining in different directions, just like a group of starlings dance in the sky. Mesmerising and distracting and suddenly Belle is flying above them. The second, when Belle and the Beast dance in the ballroom with all the other enchanted animals. They waltzed and turned, reminding me of the scene from the film ‘Labyrinth’ where Sarah is dancing with Jareth at a masquerade ball and the other gueats are all wearing animal like masks.

 

This production would make a wonderful family treat. The BRB have a programme called ‘First Steps’ – shortened, more easy to follow story lines for a younger audience – however this production was so filled with magic and wonder, it’s an ideal first full length production for children or ballet new comers. It also has a happy ending unlike the majority of ballet tales, so no awkwardness to explain away!

Beauty and the Beast is showing at The Lowry untill Saturday 23rd March, before it heads on to Sunderland and concludes in Bristol,so don’t miss out on your chance to see this gorgoeus production! Ticket info can be found on the website https://www.brb.org.uk/whats-on/event/beauty-and-the-beast-2019

Unitll the last petal falls…….

Dance Niche

Want a bigger dance fix? Follow us:
error
Saturday Night Fever The Musical Review

Saturday Night Fever The Musical Review

The 70’s movie Saturday Night Fever conjures 3 images – The Bee Gees, the disco dancing and John Travolta! Now the stage version has 2 out of 3 of those, only with Casualty star Rich Winsor playing the cocky Italian American Tony Manero, and he does not disappoint!

Rich’s credentials all come into play within this musical, acting, singing and of course dancing! “It’s a dream role” he told me in our interview last week. You can read the rest of that interview here Interview with Richard Winsor AKA Tony Manero His Brooklyn accent never waivers, and he seems to have captured that spunky energy that Travolta emitted perfectly. Rich’s dancing scenes are where he really comes alive, with barrel turns, splits, and triple piroettes no less! Bill Deamer, the shows resident choreographer has done an amazing job with all the dance scenes and classic, stereotypical 70’s dance moves. Larger than life, furious and full of fun, theres no doubt you’ll be throwing your own shapes at home!

Richard Winsor (Tony) - Saturday Night Fever - UK Tour (c) Pamela Raith Photography_090

Fighting for Toni’s affections are the 2 main ladies – Stephanie Mangano, played by Kate Parr and Annette played by Anna Campkin. Straight away youre made aware of the girls differences, Annette being the obsessive, needy one firmly in the friend zone whilst Stephanie is the beautiful, talented, palying hard to get character. Her figue is enviable in some extremely high cut leotards that Jamie Lee Curtis would have been proud of! Its clear shes has extensive dance training, as her scenes, particlarly with Rich, were wonderful to watch and they share an exciting chemisty! Annette on the other hand comes alive whilst she sings, and belts out some fantasic songs, full of emotion.

A show like this would’nt amount to much if it wasnt for the huegly talented supporting cast and ensemble. All of them from Toni’s crew to the competitors in nightclub 2001 Odyssey were 100% commited to the choreography and routines, with so much high energy, they literally blew the roof off! The effect of dancing full out like that ripples into the audience and by the end of the show, not one audience member in the auditorium were sat in their seats!

To complete the package, the set and lighting team hit the nail on the head. They brought to stage a noisy, colourful downtown 70’s Brooklyn, including muticolured squared dance floor in the club and strategicly placed disco balls in the auditorium which transformed the whole place into one big discoteque! The live band were nestled between the high rise scaffolding, and the show’s very own Bee Gees, played by Edward Handoll, Alistair Hill and Matt Faul. No detail has been left out in this show, as even the Gibb brothers are kitted out in suitable fit and flare trousers and their trademark long hair! The boys appear to perform all the classic songs from the movie and their vocal talents are staggering. You’d swear you were listening to the movie soundtrack!

The Cast of Saturday Night Fever - UK Tour (c) Pamela Raith Photography_050

All in all, its a fantasic production which will have you up on your feet and reaching those soprano top notes like a pro! The language is a little on the fruity side, and there are some daek moments in the show, so I wouldn’t recomend it for younger members of the family. It’s currently on stage at the Palace Theatre Manchester now untill 26th Jan, so you’ll need to be quick to book tickets, however they are performing matinee showings most days to make up for such a whislte stop tour! Tickets and price information are available on the website https://www.atgtickets.com/shows/saturday-night-fever/palace-theatre-manchester/

So if you fancy a bit of Night Fever, stop your Jive Talking, put on your Boogie Shoes and experience this Disco Inferno of a show! It’d be a Tragedy to miss it!

Dance Niche

Want a bigger dance fix? Follow us:
error
Interview with Richard Winsor AKA Tony Manero

Interview with Richard Winsor AKA Tony Manero

Richard Winsor is a household name in the UK. Tele addicts may know him as Farther Fransis from Hollyoaks or Caleb from Casualty, whereas dance fanatics would recognise him from the movie StreetDance 3D or as the lead in Sir Matthew Bourne’s critically acclaimed Swan Lake (you can read more about that production here Matthew Bourne’s New Adventure SWAN LAKE Review ) Whether its acting or dancing, Richard’s talents know no bounds, and his latest role – Tony Manero in Saturday Night Fever – allows him to combine 2 of his passions! I spoke with Rich about taking on such a huge task, read on below!

 

D.N. You were classically trained, attending Central School of Ballet and later becoming a company member of New Adventures. Was dance your first love?

R.W. Yes I guess it was. My mum ran a dance school in Nottingham, so I grew up being surrounded by dance, it’s in my blood.Richard Winsor (Tony) - Saturday Night Fever - UK Tour (c) Pamela Raith Photography_090

 

D.N. How did you get into acting?

R.W. Ballet is such a strong discipline which lends itself well to acting, remembering your lines and rehearsing them over and over to commit them to memory. I have just as much love for acting. I went on as many courses and workshops as I could, it was a real driving force for me.

 

D.N. Saturday Night Fever is such an iconic film and combines dancing and acting. Is it a dream role for you, and did you watch the film to prepare?

R.W. It’s the perfect show for me. I get to be physical in the dancing scenes and really show off my acting skills. Its quite a dark and gritty story. This stage production is a brand new version. We’ve tried to stay as true to the film as we could!

* It’s so iconic, I mentioned it in my list of top dance movies to watch! Have a look Top dance films you NEED to watch right now  *

 

D.N Do you have a favourite scene from the show?

R.W. Yeah I love all the scenes with Tony’s family in. You get to see the dynamics of his family and his roots. It helps you to really understand him as a person.Saturday Night Fever - UK Tour (c) Pamela Raith Photography_ 026

 

D.N. Tony Manero, played by John Travolta in the film, is such a big character to play! How did you prepare for that and did you practice his legendary strut?

R.W. Tony is a great character to get into and bring to life. He’s multidimensional. He has this huge love for dance, charismatic and also arrogant, nut at the same time, almost naive to life, until auditions open him up to the world. And yes, I practiced ‘THE STRUT’The Cast of Saturday Night Fever - UK Tour (c) Pamela Raith Photography_013

 

D.N. Tony portrays this big bravado, but is also very self critical and full of self doubt. Have you ever experienced the same and how do you overcome it?

R.W. That’s a great question. I think everyone in this industry will have self doubt at one point or another. It’s almost a natural thing. You face a lot of rejection and it can cripple you if you don’t have the right mindset. You have to take it with a pinch of salt, remember it’s not about your talent, more that you went quite what they were looking for. It’s all about mindset and vision, using rejection and self doubt as a driving force to better yourself. Negativity is dangerous in this line of work. It will kill your performance.Richard Winsor (Tony) - Saturday Night Fever - UK Tour (c) Pamela Raith Photography_023

 

 

D.N. What would be your biggest piece of advice to aspiring actors and dancers out there who want to succeed?

R.W. PREPARATION IS KEY! Actors – really get to know your character so that you become them and give the best of your ability! Dancers – stay physically fit, work on all different genres. To everyone – put the work and time in. Know your role inside out. Be the best you can be!

 

Saturday Night Fever is currently touring and will be visiting the Palace Theatre Manchester from Tuesday 22nd Jan until 26th Jan, tickets available here ATG TICKETS It then continues on its tour to York, Carlisle, Hull, Sheffield and Leeds.

Want a bigger dance fix? Follow us:
error
Cinderella Panto Review

Cinderella Panto Review

With the arrival of the Festive season, comes the arrival of Panto season………'”OOH yes it is” A time when theatre land truly comes to life, and the young and young at heart enjoy the retelling of classic fairy tales with added romamce,dancing, sing songs, slap stick comedy and more one liners than a page of dot to dots #sorrynotsorry

This year’s Cinderella panto at the historic Manchester Operah House does not disappoint! I went along with 2 of my youngest reviewers (my children) to see just what fun and frivolities were involved, and the girls first taste of Panto delight!

On receiving the programme, an all star cast shone out. Gareth Gates, originally of Pop Idol fame, now a household musical theatre name, steps out as Prince Charming. His chisled jaw and dimpled cheeks quickly win over the audience. He is every bit the dashing Prince, with his upper class accent and air of nobility to his posture. His vocal talents have a smooth tone to them and woos Cinders with his love songs.

Cinderella is played by Shannon Flynn, who has appeared in many tv and radio shows to date. Shannon has a wonderfully sincere and understated quality to her acting, perfect for the dowdy Princess to be. She has a natural presence on stage and sings with a sweet quality. A special magical moment is when she ‘transforms from her rags into a shining full length gown with just a twirl, right before your very eyes. My children were in awe!

Cinderella could not undergo her huge transformation if it wasn’t for her Fairy Godmother, aka Hayley Ria Christian. Hayley has many theatre credits under her now sparkly belt as well as being one of the Uk’s go to soul vocalists, something that is immediately apparent with the opening of the show, and her first song. She mixes power ballad and smooth soul sounds seamlessly.

The love struck Buttons, played by comedian Ben Nickless, remains firmly in the friend zone by being Cinders side kick and right hand man. The puns roll effortlessly out of him, giving the audience some great bet laugh moments. His impersonations are so realistic in both audible and visual aspects, it’s as though he has been possessed with their souls!

Who could forget the Ugly Sisters Phelkna and Michaela, played by Coronation Steet duo Connor McIntyre and legendary Law Dennis. The pair work so well together, bouncing off eachother, in some scenes quite literally too, with their outlandish and down right hilarious costumes, which trigger laughter as soon as they step out from the wings. The laughter became contagious to those even on the stage, with the actors all stiffling their sniggers. They are the characters we all love to hate, and Connor and Les certainly revel in the boos and hisses.

The special effects and audience participation are what really bring the magic to the panto. Buttons has some wonderful scenes involving some water pistols of varying sizes. Avoid the stalls if you lack in humour or melt when in contact with water!

The Ugly Sisters also participate with a bit of audience banter, picking out a gentleman to ask for his name, which they refer back to on numerous occasions, and who provides the butt for some of their jokes.

The highlight for me, and certainly my children was the flying pumpkin coach and horses. The special fairy godmother magic enabled the coach containing Cinderella and the Prince to levitate up off the stage and out into the stalls, with galloping strides from the horses. My slightly sinical child yelled and pointed that there were indeed ‘no strings’ and that magic was truly involved! A special moment.

Some special unplanned moments also made this panto one I shall never forget. Les forgetting the name of the audience member and replacing it with one from the matinee show had the cast in giggles. How he and Connor used ad lib to include the mistake into the script is a sign of true masters of their craft. During the rendition of Panto classic “if I was not in pantomine” song, where The Ugly Sisters, Buttons and the Prince were racing up and down the stage with various props and buckets of water (health and safety would have a coronary) Connor’s towering wig fell of and was rolling about the stage. It was a perfect cherry on the already iced, slightly wonky cake, but hey, that’s panto!

All in all, Cinderella was a huge hit. Everyone, young and old enjoyed the musical theatre delights. There were dance scenes that could have been plucked straight from a Disneyland parade, brightly coloured costumes, fireworks that were not of the metaphorical kind, and a heap load of jokes that included ones for all ages!

Theatre is a magical place in itself and one I’m so grateful I can share with my children. Pantos provide a perfect opportunity for families to come together and share the magic, and Cinderella does not disappoint!

Cinderella pantomime is on at The Opera House until 30th Dec. Tickets can still be purchased and all information is available on their website https://www.atgtickets.com/shows/cinderella/opera-house-manchester/

Special thanks goes to the team at the Operah House Manchester and Phil Tragen Photography.

“He’s behind you”…………..

Dance Niche

Want a bigger dance fix? Follow us:
error
Matthew Bourne’s New Adventure SWAN LAKE Review

Matthew Bourne’s New Adventure SWAN LAKE Review

Matthew Bourne has an incredible talent for turning an age old and traditional story, such as Swan Lake, and thrusting it beak first into the 21st century. His take on the classic tale, with his company New Adventures is far more menacing and somber than the original. Its one of inner turmoil and depravity, provocation and lust, entrapment and finally freedom.

45566937651_23844bb5af_k

The show opens with the young Prince in bed, being awoken by the hum drum of palace life. The mixed corps de ballet of butlers and maids all hurry with military precision. , using angular arm and head movements, swift changes of direction and robotic stature. With it, we sense the beginning of the Prince (played by Dominic North) is unhappy with his regimented and stifling life.

45516553642_e33709ca34_k

The Queen, was played by Katrina Lyndon. She bought a regal and sophisticated edge to her character. Her dancing was elegant and had wonderful poise, using her upper body well, and great strength and control with her legs, to effortlessly glide across the floor. Katrina used her facial expressions well, an eye roll here, a displeasing look there, which were discreet yet added to the story perfectly. My favourite scene of hers was at the Black Ball, held at the Palace. Everyone wearing black, yet she appears in a stunning red dress. She dances with The Stranger in a immensely provocative routine. She echoes perfectly the traditional role of the black swan, the seductive temptress, bold and confident in her approach, with burning eye contact. This is possibly why she is wearing red, as, did you know, Odile didn’t wear black until the early 1940’s, the original productions instead choosing bright and bold colours.

43749412200_7da049d5f9_k

Dominic North’s performance as the Prince is a harrowing one. He starts off frantic in his movements, to shoe his resentment to his life, changing to being light and free when he has the love and affection from The Swan, will well elevated and athletic allegro, finally lashing out in desperation at the end. His pas de deux with his mother is particularly upsetting. You see his need for love from his mother, begging her to hold him, literally clinging onto her. You see her rejecting him to conform to standards. As an audience member, you almost plead with her to relent and just give him a hug. Dominic’s performance is powerful and emotive.

45516555272_2160a81f49_k

The girlfriend character (Carrie Willis) is a brash character adding a layer of humour to the production. Everything from her costume to her demeanour and actions provoke laughs from the audience. She perfectly captures the stereotypical air headed bimbo character and certainly puts her gazelle like legs to good use.

45516553442_47d3cbdc69_k

The Swan and The Stranger are played by the same dancer, just as Odette and Odile are also danced by the same ballerina. Will Bozier did an incredible job of acting within his dancing, being so convincing as 2 separate characters, you’d be forgiven in thinking they were not the same people. As the swan, he is coy at first, unwilling to interact with the Prince. His movements are large and strong, imitating a real swan when it is threatened, protecting itself. Then he softens, when he and the prince dance their pas de deux, becoming the protector role, lifting the Prince, nuzzling and nurturing him. As The Stranger, not only does his appearance change, so does his dancing and with it his character. With his leather trousers, he is immediately portrayed as a bad boy role. His lusty looks and bold swagger transform him to represent power and danger. He dances with every woman in the ballroom. The dance is reminiscent of an Argentine tango, full of passion, bodies always close, legs frantically working. He ends as the swan again in the scenes. The Princes protector once again,from the other swans who have turned on them both. Will uses his body language and facial expressions so well, that even if he were not in specific costumes, you’d instantly identify the character he would be portraying.

31694374018_6cfb720455_k

44841993134_83da4f0443_k

The final scenes are danced with an all male ensemble, the traditional corps de ballet being replaced by a male corps. Included are some sequences from the more traditional productions, including ‘entrance of the swans’ and ‘dance of the cygnets’ but of course with an altogether more robust and rugged feel, with far more jumps, syncopation and unique poses, now synomymus with his version. The swans take on the role of an angry mob. Their muscular and athletic physiques perfectly embody than of a swan, beautiful to look at yet strong and powerful, a force to be reckoned with. They act and think as ‘one’ ultimately seizing control of the situation, strength in numbers. The use of the resistance in their arms and hisses audible to the audience create an imposing and sinister feel from the very beginning.

45516553532_58bdaf69fd_k

Matthew Bourne’s Swan Lake has been performed for over 20 years now, premiering back in 1995. He uses concepts and ideas from the more traditional versions yet adds a more contemporary and modern feel, adding highlights paying homage to other great choreographers such as Bob Fosse. In 2018, the production underwent some revising to the set, lighting and choreography to keep it just as fresh as its ever been. It deals with relevant topics in todays society of sexual preferences, acceptance, temptation, and the basic human need for love. And boy did the audience love it on opening night at The Lowry Manchester, with a staggering 4 minute standing ovation. That alone is testament to the talent of the cast, and Matthew Bourne’s success in creating a production that’s become a traditional one in its own right.

44841988444_e20fe82d20_k

Don’t just take our word on how mind blowing it is! Read more about the production, the company members and tour life, in our interview with cast member Andrew Ashton https://danceniche.com/2018/11/29/qa-with-andrew-ashton-new-adventures-company-member/

New Adventure’s Swan Lake is currently showing at The Lowry Manchester until 1st Dec. Ticket prices start at £28.50 and can be purchased via their website here TheLowry.com Further information about the tour’s upcoming dates and locations can be found on the New Adventures website MB’S New Adventures

*Special thanks to The Lowry Manchester and photographer Johan Persson, using photographs from the production at the Royal Theatre Plymouth*

Dance Niche

Want a bigger dance fix? Follow us:
error
Matilda The Musical Review

Matilda The Musical Review

The story of Matilda is a childhood classic, written by one of the nation’s favourite children’s authors, Roald Dahl, and is celebrating its 30 year! The musical adaptation will soon be entering it’s 9th year, and is now a classic in its own right, with critical acclaim and no less than 85 awards under its belt! once you’ve seen it, its not hard to see why.

There are so many individual factors that all play their part in making Matilda The Musical such a huge success. The stage adaptation written by Denis Kelly, and the catchy songs and lyrics by Tim Minchin are the corner stones. Imagine the daunting task of taking something as beloved as Roald Dahl’s Matilda, and adapting it for the stage, that would serve the original justice, yet tell a more visual story. The songs and lyrics sit perfectly well within the scenes, blending effortlessly and further enhance the plight of Matilda. You can even buy the Matilda the Musical soundtrack on CD or download it, meaning you can carry on signing them long after you’ve left the theatre!

Next, has to be the innovative and complex stage set. I was lucky enough to go behind the scenes of Matilda at the Palace Theatre Manchester, and the sheer scale of design and function was jaw dropping. Without spoiling the magic of the production for anyone, the stage setting and scenes have their own choreography. Things (and people) fly, slide, and manouver around the stage seemingly effortlessly, yet timings and placements have to be exact and precise, when you factor in the actors on stage at the same time. They harmoniously dance around each other

The already larger than life characters, thanks to the genius imagination of Dahl, are brought to life, larger than ever, by a wonderful adult cast, and enhanced with a ingenious costume wardrobe! Miss Trunchbull, by far one of the most loved characters, or love to hate, is traditionally played by a man. Craig Els is the current actor. His comedic edge, flouncy walk and penetrating stare do the character justice, and evoke hoards of laughter and reactions from the audience. His stature is lofty, but further enhanced by his costume, towers over the children to emphasise the difference.

The biggest mention by far, has to go to the children’s cast, and in particular, of course Matilda. They are Sam Lathwood”s (assistant dance captain and swing) favourite to work with! You can read our interview with him on his role here What does it take to be a musical theatre swing? There are actually 4 whole different children cast that work on a rota basis. The Royal Shakespeare Company do a sterling job of looking after the wellbeing of all the children, even supplying tutors and having their school work posted to them so they do not fall behind academically. The maturity and professionalism shown from ones so young is admirable, their parents must all be so proud! Matilda was played by Emma Moore the night I watched. She blew me away. Her talent is extraordinary. She adds sorrow and cheekiness in equal measures. She builds intensity as Matilda grows in confidence, and particularly in her song ‘Quiet’ is so authentic in her skills, she becomes Matilda.

As for the rest, it is that special touch of magic that you can’t quite put you’re finger on. Just how does Bruce Bogtrotter eat ALL that cake? How does that glass move all on its own? It’s the story of how someone so small and insignificant overpowers rule to fight for whats right, the equality, the justice, the self belief. We all love an underdog story, because it gives us hope and faith of better things to come. That’s what I took away with me from watching Matilda The Musical. That no matter how bad things seem, there is always something that can be done, always light at the end of the tunnel. If you believe in yourself wholeheartedly, then you are an unstoppable force. What a wonderful sentiment to be presenting to our children.

I would recommend for anyone of any age to watch Matilda The Musical. Its family entertainment at its finest, and is sure to capture the hearts of the next generation, continuing the legacy. Matilda is currently on stage at the Palace Manchester until 24th Nov, before moving on to the Wales Millennium Centre, Cardiff over the Christmas and New Year period, and various other venues until summer 2019! For more information on dates and locations, go to the official website Matilda The Musical

Dance Niche

Want a bigger dance fix? Follow us:
error
What does it take to be a musical theatre swing?

What does it take to be a musical theatre swing?

Musical theatre is a tough genre to succeed in. You have to be equally proficient in all 3 styles – dancing, singing and acting – a triple threat. So imagine being hired in a show and having to memorize EVERY SINGLE ROLE! That’s the mammoth task undertaken by a ‘swing’.

Swings are absolutely vital to the smooth running of any theatre production. Not only do they help with prompting of lines, if, heaven forbid, someone forgets, but they are instantly on hand, ready to fill in for roles due to sickness, or any sort of absence. Sam Lathwood is the current swing and assistant dance captain for the Royal Shakespeare Company’s MATILDA THE MUSICAL. Unlike other productions, at least half the cast are children, including the main part. We all know how quickly children can become ill, and you can’t do a show without the lead, so being a swing for Matilda the Musical is most certainly one of the most demanding roles. We spoke with Sam about his job, how he copes, his favourite role, and what it’s like working with the younger members of the cast!

DN. You’re the current assistant dance captain / swing for Matilda the Musical. How do remember all the choreography so well without actually being in the roles permanently?

SL. When we first started to learn the show back in January, it took a lot of staying behind after rehearsals and dancing in my living room to help solidify all of the information in my brain. I work both visually and practically to get the choreography into my muscle memory, and once the choreography has gone in, it’s all about recapping the information, referring back to notes/ maps of the routines and watching the show as much as I can (when I’m not already on stage performing) to help retain the information.

DN. Knowing all the roles so well, who is your favourite character in Matilda and why?

SL. I would say my favourite character in the show has to be Miss Trunchbull, she has some brilliant dialogue, she’s intimidating and dark yet comical and outrageous. She gets to perform a whole solo dance routine with a ribbon in an extremely difficult costume and fly over a vault in her Olympics uniform/skirt. What’s not to like!

DN. It’s a well-known saying that you should never work with animals or children! What’s it been like working so closely with the younger members of the cast of Matilda?

SL. I adore working with the children. They never fail to make you laugh and smile. Their work ethic is always second to none. This is the 5th show I’ve done which has had children in the cast and I find they bring such a unique and exciting energy to the theatre both onstage and offstage that you don’t always get on other shows. I always find that the work our children at Matilda do on stage every evening is very inspiring.

DN. You’ve worked in many musical theatre hits such as Charlie and the Chocolate Factory and Elf the Musical to name a couple. How does Matilda differ to the others?

SL. Matilda actually has the same choreographer as Charlie and the Chocolate Factory (Peter Darling) so I started Matilda with an understanding of the way the choreography might work. But compared to other shows I’ve done, the storytelling in Matilda is very detailed, specific and plentiful. The show also has a very dark story throughout, unlike Charlie Bucket, Matilda doesn’t get her ‘golden ticket’ until the very end of her story.

DN. Which is the most challenging scene and choreography in Matilda to work on?

SL. I would have to say all of the gate choreography in ‘School Song’. It makes a lot of sense and flows nicely once you’ve got it, but it took many more rehearsals to get there. What I love about the number is that you still get that massive rush of adrenaline each time you dance on the gates.

DN. This year, Matilda celebrated its 30th year since first being published, and has since won many accolades, particularly with the musical adaptation. Where do you see yourself at 30?

SL. I’m in total denial that one day I’ll no longer be in my twenties that I haven’t even thought about being 30 yet! Hopefully I’ll be happy and dancing my 30 year old heart out.

DN. Lastly, a famous quote from Matilda is “somewhere inside all of us is the power to change the world” If you could make 1 change, what would it be?

SL. My one change would be to somehow eliminate the huge amount of plastic that is contaminating our planet. I’m a huge fan of watching Blue Planet and it disappoints me that over 8 million tonnes of plastic and rubbish ends up in the ocean each year, come on humans!

Well said Sam.

 

Matilda the Musical is currently on stage at the Palace & Opera House Manchester until 24th November. Tickets are still available at ATG Tickets Palace Theatre , with an incredible special rate of only £5 for 16-25 year olds (terms and conditions apply) before it continues on it’s spell binding tour of the UK finishing August 2019! You can find more details of tour dates, locations and book tickets on the website here Matilda the Musical . Watch out for my review article of the production, and vlog from when I went backstage at the Palace Theatre Manchester, and got to nosey around the dressing rooms of the cast!

Dance Niche

Want a bigger dance fix? Follow us:
error

Email newsletter

Please follow & give us a like!

error

Enjoy this blog? Share with your dance crew!