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Tag: what’s on in Brighton

Brighton Tap Festival | A Family Affair

Brighton Tap Festival | A Family Affair

You’ve probably all heard of some amazing tap festivals held around the world, America, Barcelona, Stockholm to name a few, but where are the UK ones?! Let me tell you all about the new kid on the uk tap block!

Founded in 2015 and born from a family love for the genre, 4 women, (2 mums and 2 daughters) decided to put their best feet forward and bring tap to the masses here in Great Britannia. Brighton Tap Festival is the brain child of Karen Spall, Jamie Spall, Sarah Ivory and Kate Ivory-Jordan. Jamie and Kate have been tappers since the were tots, and have since shuffled their way around the world, dancing and learning from some of the best teachers and fellow hoofers. Whilst on their travels, they noticed the huge interest and popularity of tap dancing in other countries, yet the UK lacked the same enthusiasm. You can read our thoughts about why this might be on our previous article Tap Revival – The Decline And Resurrection . Keen tappers would have to travel out of the country, and as such incur great travelling expenses that some would be unable to justify, despite their tapping passion. And so the girls sought to change that and Brighton Tap Festival was established.

WHAT’S INVOLVED

The festival itself is a 3 day event open to anyone with a love for tap. It caters for every age and ability, from beginners to more advanced, and professional levels, so everyone will feel comfortable but still have the option to challenge themselves. Classes and workshops run throughout the day, then make way for the evening events. Here’s where the festival comes into its own!

The first is the Tap Jam, where willing participants are invited into the stage and improvise to live jazz music played by the Michele Drees Trio, what a treat! If you’ve never danced to live accompaniment before, you need to give it a go at least once. There is something so spine tingly special about it. The music literally vibrates through you, giving your dancing an incomparable quality.

Next up is the Cutting Competition where competitors will stomp it out against each other to win prizes. The key is to maintain rhythm whilst impressing the judges, so any personal flair is sure to be well received! Perhaps some homework watching the great Gene Kelly or Fred Astaire might come in useful!

Lastly is the Gala Night, a perfect way to conclude the festival. The whole faculty give a performance alongside some of the biggest UK hoofing talent, with live music from Michele Drees again. Jamie Spall had this advice, “The Gala is always the best event of the festival, and if I could recommend attending only one, it would be this one!”

Don’t worry though, there’s no obligation to participate in the evening festivities. They hold so much entertainment, good music and phenomenal talent, that you can simply buy a ticket and immerse yourself in the electric atmosphere!

TICKETS

The festival have a tiered system. The lowest is a 2 class pass. This enables you to attend any 2 classes of your choice over the entire weekend, perfect if you can’t commit to a set day or just popping in and out. You can also choose from a 1,2 or 3 day pass, giving you access to all the classes taking place on the day(s) you’ve selected. Workshops and evening events are extra and tickets need to be purchased separately, unless, that is, you go for the all inclusive pass, which does exactly what it says on the tin!

DETAILS

For 2018, the festival will run from 31st Aug -2nd Sept. Boasting some of the most admired and influential tappers of the current generation, including Jason Janas, Derick Grant , Adele Joel and the D’Angelo Bros to name a few. Jamie and Kate will also be taking classes! Visit the website www.brightontapfestival.org.uk for tickets and more information. What’s more is the girls have kindly organised a discount code for you, our readers! Send them a message through the contact page of their website and quote DANCENICHE which entitles you to 20% off ticket prices! What other excuse do you need?!

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Rambert – A Linha Curva

Rambert – A Linha Curva

Sitting down to watch the famous Rambert Company put on their production at my local theatre – Theatr Clwyd, I was not sure what to expect. I’ve seen productions before, but non quite like this! It consists of individual, very distinct pieces, each with their own feel , costumes and choice in music, not to mention the style of dancing in each piece! It’s almost like separate productions, which most certainly keep you entertained the whole way through, interest never waning.

The Days Run Away Like Wild Horses

The opening scene is that of a house, with a table and chairs, a window, a bed and various doors. This piece is based upon a short animation film ‘Tango’ released in 1981. It begins with a woman sat motionless at the table, staring intently in front. She never moves. Slowly, one by one, we are introduced to new ‘characters’, the boy with the ball, the school girls, the loved up couples, the couple who’ve obviously had an argument, the woman with the baby, the athlete, the toilet repair man, the woman with shopping bags, the bedraggled woman still in her nightdress, and my favourite – the man in a twee Jumper carrying a Christmas tree! They enter through the various doors (with slams echoing the music) or window, with their own set movements lasting a couple of bars, moving individually around the room, then exiting before appearing again to perform the exact same movements. Like layers of paper mache, it begins with just one solitary story, then builds as each new character enters, ending in a bustling room full of people living their daily lives, yet never colliding, the rhythm of life. As you watch, you get a real sense of just how habitual humans are, stuck in a never ending cycle, Groundhog Day.

Symbiosis

An altogether different feel, contrasting greatly from the first piece. Symbiosis begins with a slatted screen, curving in the centre, an almost sun like shape, silhouetted by a stark bright light behind. The sinister music immediately puts you on edge – the type of music in a film where the main character is being hunted down or similar stressful situation. This is also reflected in the dancing, with the dancers interacting with each other and the choreography much more athletic, almost acrobatic. For me, it took on an Eastern feel part way through, with the constant humming of a gong bath, and the lighting behind changing to red, which with the shape of the slatted scenery, was reminiscent of the Japanese flag. This was also echoed in the choreography, becoming Thai Chi like in execution – controlled and purposeful yet fluid and free flowing. Again, the music and choreography are cleverly brought together, with athletic jumps that upon landing, echoed the beat being played by the live orchestra, adding yet another level to the percussion.

A Linha Curva

This makes a huge impact on curtain up, being dazzled by the reflective collars of the dancers, and the bellowing sound of them chanting, enough to startle you! This tribal theme is also represented in the music, which I defy you not to move in your seat to! There is a section that is acapella , with only the sounds of the jumps, claps and grunts of the dancers dictating the rhythm. We then see a group of male dancers and a single solitary female dancer. This section takes on that of a courting ritual of the bird of paradise – each male displaying his skills of athleticism, hoping to woo the female. The woman then decides she can dance better than her suitors, showing them just how it ought to be done, accompanied by the whoops and cheers from the men which are almost cat calling like. So the boys are left to their own devices and naturally, rivalry kicks in. What can only be described as a testosterone filled dance off between the alpha males. Then the climax. With music straight from a carnival in Brazil, and individual squares of brightly coloured lighting creating a grid on the floor of the stage. It’s such an intricate piece, with each dancer staying within a square of light, but still using the whole space of the stage. It’s hard to tell if the dancers are following the light patterns, or the lights are following the dancers. The precision needed by the dancers to perform the choreography yet train within their meter squared space is commendable. You cannot help but be swept away by the party atmosphere with this last piece, an audible and visual delight to conclude the production!

I must mention that there was a woman to the right of the stage, miming the music. She was so intricate in her movements that a first glance, I thought she was actually playing an instrument. This just goes to show how integral the music is to the whole of the production, that it requires someone to mime and explain the sounds of each piece to those with hearing difficulties, thus giving them the complete experience.

Rambert are performing at Theatr Clwyd until Saturday 10th March. Tickets are still available. To book, call the box office on 01352 701521 or visit their website www.theatrclwyd.com

They then head off to continue their tour with A Linha Curva and other productions at the following places;

Waterside Theatre, Aylesbury

Thu 15 – Sat 17 Mar 2018

www.atgtickets.com

Theatre Royal Brighton

Wed 21 – Sat 24 Mar 2018

www.atgtickets.com

New Victoria Theatre, Woking

Tue 27 – Thu 29 Mar 2018

www.atgtickets.com

Sadler’s Wells, London

Tue 22 – Sat 26 May 2018

www.sadlerswells.com

Bergen International Festival, Norway

Wed 6 Jun 2018

www.fib.no

Festival Theatre, Edinburgh

Thu 22 – Sat 24 Nov 2018

www.capitaltheatres.com

All this information can also be found on Rambert’s website www.rambert.org.uk

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