Meet the Founder

 

Wondered how Dance Niche came to be? Come and read about how it all began and the face behind it!

Meet our founder

Get In Touch

 

Here at DNHQ, we love to connect with our followers, it is called ‘social‘ media after all! Leave us a message on here or any of our other platforms such as Instagram, Facebook and Twitter and we will gladly reply!

Let’s Work Together

 

Are you in the dance or arts genre? Do you have a business that relates and want to team up? Here’s where to start.

Let’s work together

Tag: production

Q&A with Flashdance the musical’s Gloria aka Hollie Ann Lowe

Q&A with Flashdance the musical’s Gloria aka Hollie Ann Lowe

Flashdance is ingrained in history as being a monumental and iconic film! That’s why we included it in our top dance movies to watch! You can see what else made the list here https://danceniche.com/2017/12/28/top-dance-movies-you-need-to-watch/ It tells the tale of a young hopeful Alex. A welder by day, dancer in a bar by night, who yearns to make it as a professional dancer. Hers, and most of the characters in the story are one that many of us are all too familiar with. The self doubt, trying to please others, still needing money to pay bills. We spoke to Hollie Ann Lowe who plays ‘Gloria’……….Gloria I think they got your number! (Sorry, I couldn’t help myself) about the show, her character and and the parallels between the show and real life.

Hi Hollie! Thanks so much for taking the time to answer our questions! Let’s begin….

DN: Dance Niche named Flashdance as one of their top must see dance movies. Were you a fan of the film before the Musical?

H: Since performing in a youth version of Flashdance when I was 14, it has been one of my favourite films and musicals. The film is so iconic and will never get old!

DN: Flashdance is an iconic film, that paved the way for perms and leg warmers! How does the Musical stand up to the film? Do you still own leg warmers?

H: I was born in 96, however growing up I loved all things 80’s! I do still own leg warmers and they often make an appearance in warm up! Ha. Our musical is adapted slightly but there are so many iconic outfits, songs, dance movements…it’s a real flash back to the 80’s!

DN: As well as acting, there’s a lot of dance content and choreography involved with being a cast member of Flashdance. What is your dance background and what is your favourite genre of dance?

H: I started dancing at 5, and have danced my whole life. Training in different styles, I moved to London when I was 17 to train in dance and musical theatre professionally and had the time of my life for three years training in all styles of dance, singing and acting before starting with Flashdance!

DN: The world of professional Dance is a tough one to break into, do you identify with the themes of the story and feelings of the main characters?

H: Alex Owens, is the epitome of any young dancer or performer wanting to break into the industry. We are faced with many challenges along the way but it is the passion, love and drive that keeps us going and gives us the best job there is!

DN: Your character Gloria, really encourages Alex to go for the audition at Shipley’s. How did you feel when auditioning for Flashdance and who encouraged you to go for it? Did you watch the film as part of your prep?!

H: Very similar to both Alex and Gloria, it’s a big scary world when auditioning. However this show and film has been so close to my heart for years that I had the most amazing experience and loved every second of the audition process! My family have always encouraged me, especially my Mum who growing up would always encourage me to reach for higher.

DN: Being a professional dancer yourself and having successfully made a career in dance, what would you say your top tip for dancers at auditions is?

H: My top tip would be to enjoy every second….even an audition! Things will come and go but most important thing is to every step of the journey, even the rejection…be grateful for the lesson learnt and enjoy moving forward.

DN: Lastly, what would you say to anyone who might be thinking about coming to see the show?

H: With edgy choreography and exciting musical arrangements, Flashdance is a must see show for everyone!! You will be taken on a journey back to the 80’s and have a fun filled night out!

Thanks Hollie for the insight! Break a leg with the rest of the tour!

Flashdance is finishing its run here at the amazing Manchester Opera House, however the rest of the tour dates can be found here http://www.flashdanceuktour.co.uk/tour-schedule

This is definitely one show that is bound to get you out of your seats dancing and singing along, leg warmers mandatory!

Dance Niche

Want a bigger dance fix? Follow us:
TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

This is something I’ve been wanting to write about for a while, and is a fairly controversial topic, as there will always be strong views for either side. Before I continue, I’d just like to say that I am in no way advocating poor technique, or the lack of, as we all know technique and good form help keep us as dancers safe and injury free. It’s more to do with current trends in the dance world and of course, personal opinions will always come into play.

With the rise of social media, National T.V competitions and reality shows, dance – and dancers, have been projected not only into the lime light, but into the lives of young aspiring dancers everywhere. They follow their favourite dancers week by week, voting for them to get through to the next stage. They follow their social media accounts with enthusiasm, marvelling at each new pose they post. Instagram has a particularly large and influential dance community, as t.v and professional dancers from all over the world display their craft. Professionals. People who have spent years upon years honing and perfecting their craft with complete and total dedication. And of course much like you and I, they only post the very best photos, the ones that are timed just right to get that perfect shot, the grande jete beyond 180 degrees, the developpe a la seconde by their ear, and the ever popular ‘crotch shot’ aka side tilt, which seems to be as common as leg warmers in the movie Fame! In fact, it’s that common, and some say distasteful, that it has its own hashtag ‘#stopthecrotchshot

We live in a world where how many ‘likes’ your photo receives, dictates how good you are as a dancer. So naturally, young dancers are wanting to emulate the idols they follow, and post the best dance pose they can, hoping to rack up the likes. This has also transpired into choreography. I’ve seen it with my own eyes. More and more I see dancers at festivals show off their acquired skills, one into another, into another, but it’s getting to the point where they are almost showing off. Yes, of course, that’s what they are aiming for. They want to wow the audience and adjudicators with the amazing tricks and displays of hyper flexibility, however these elements are beginning to roll into one another, BAM, BAM, BAM! Quite often, these are the dancers that are placed. The ones who thrill us with their continual display of talent. But is it that thrilling?!

For me, Dance has always been about telling a story, being able to dance with such emotion that the audience pick up on the vibrations, making the hairs on their arms stand on end. You know the exact feeling I’m talking about. A good dancer can move you to tears. It’s part of the magic. You feel like you’ve been let into a private moment. It’s intoxicating, and leaves you wanting more. Can this simply be achieved by a display of capability? I think not. Don’t get me wrong, a well placed trick or element can really add a spectacular highlight to the dance, but it’s more than that. What about the steps in between, the facial expressions to convey the feeling, a well placed pause, a moment of stillness can hold so much tension and captivate an audience so much so the atmosphere is almost tangible. This is the true art of dance surely. To be able to give yourself so fully to a piece, to bare your soul, that the audience are able to re tell the story back, as they live it with you. Martha Graham famously said “great dancers are not great because of their talent. They are great because of their passion” and I think that speaks volumes.

But this doesn’t stop at tricks, and here’s where I could become unpopular with my view, it can also be true of actual technique too. Let’s set the scene……….local dance festival, lots of competitors in a section. There’s that one girl who has been genetically blessed for Dance……..the almost flat turn out, legs for days with slight hyperextended knees giving beautiful lines, feet that arch like bananas, and all the grace and beauty of any prima ballerina that has passed. But she lacks something. That spark behind her eyes, the fire in her belly, the calling from deep within her soul. She dances because she is good at it, REALLY good, but what drives her? Does she perform and project? No, she is selfish with her performance, and has a face like she’s simply stood waiting for a bus. Dare I say it………perhaps slightly boring! Cue the girl that isn’t so genetically blessed. Her legs aren’t as long, she doesn’t have the best turn out but she works with what she’s got and she pointed her feet as much as they allow, but she has something special. She has that ‘X’ factor. She doesn’t want to dance, she needs to. Her face visibly comes alive as soon as she steps on the stage and the audience know instantly they’re in for a treat. She captivated them so much, you can hear a pin drop. It’s also visible when you watch a group dance. There will always be that one dancer who catches your eye whether they are at the front or back. They catch your eye because they perform! They use their face as well as their body. They dance with such passion that it oozes from ever pore. It’s what an audience want to see. They want to watch someone who is interesting and intriguing, who’s fire burns so brightly they too can feel the heat and they get that all over tingling sensation that brings tears to your eyes. Someone who moves them when they dance. It’s echoed very much in the computer animated film ‘Ballerina‘(or Leap if you’re in the U.S) Effectively a battle between a talented girl who’s danced all her life, but dances because that’s what she’s always done, and a girl who has dreamed of being a dancer but wasn’t given the same opportunities, but her passion and determination she’s her through. It makes such a good story, because it’s a true one, “nothing great in the world has ever been accomplished without passion” – Georg Wilhelm Friedrich

So who would win? Ultimately, it’s down to the individual adjudicators, and again, this varies. Some favour perfect technique over performance, but I will always be swayed by that special something a dancer gives. In a perfect world, a dancer would have both, and these rare creatures are the ones that make it pro, all the way to the top, but they are just that, a rarity. Don’t let that stop you though, there is a growing trend in the dance world. Things are changing, slowly, but for the better. Companies are beginning to hire different dancers, differently by age, build race, but that’s a whole other blog post………

So what is your opinion? Which camp do you lie? Are you Team Felice or Team Camille? Content or creativity?

Dance Niche

Want a bigger dance fix? Follow us:
Ballet classics – The Nutcracker

Ballet classics – The Nutcracker

(Karla Doorbar as Clara; photo: Roy Smiljanic)

Nothing says Christmas more to dancers than The Nutcracker. Companies all over the world look forward to putting on their own production, with it being the highlight of the year. The Nutcracker is to ballet what Jack and the Beanstalk is to pantos – a deep set tradition, with just as much magic and adventure, that many look forward to every year. If you aren’t too familiar with the story, read on and you’ll be a Nutcracker pro in no time!

Premiering in 1892, it was adapted from E.T.A Hoffman’s “The Nutcracker and the Mouse King” originally choreographed by Marius Petipa and Lee Ivanov, with a score from the great Pyotr Tchaikovsky (who also composed music for Sleeping Beauty and Swan Lake). Like most long standing productions, the details and the story differ slightly from place to place, but here’s the one that is most familiar.

(Karla Doorbar as Clara, Angela Paul as Clara’s Mother and Rory Mackay as Drosselmeyer; photo: Andrew Ross)

The scene is set on Christmas Eve in young girls family home, Clara, where the Christmas tree has been decorated and the children stand in awe of it. As the clock strikes 8pm, Drosselmeyer, Clara’s Godfather, local councilman and magician appears, with gifts for all the children. Clara particularly falls in love with a wooden Nutcracker carved in the shape of a solider. Fritz – Clara’s brother, breaks it, (typical sibling rivalry I’d say) and Clara is heartbroken.

(Rachael Gillespie as Clara curtesy of Northern Ballet)

During the night, Clara goes back downstairs to see the broken Nutcracker again (does she not know that Father Christmas only visits when all children are asleep?!) As she reaches for it, the clock strikes 12 midnight, mice flood the room, the tree begins to grow as does the Nutcracker! Suddenly Clara finds herself in the middle of a battle between gingerbread men soldiers led by the Nutcracker, and the army of mice led by the Mouse King.

(Jonathan Caguioa as the Nutcracker Doll and Yasuo Atsuji as King Rat with Artists of Birmingham Royal Ballet as Rats; photo: Andrew Ross)

The mice begin eating away at the gingerbread men (well they are super tasty). As it looks like the Mouse army are winning, Clara throws her slipper at the Mouse King, giving the Nutcracker an opportunity to stab him (always so violent, does it need a disclaimer?) The mice retreat and the Nutcracker transforms into a Prince, who takes Clara through a pine forest towards his kingdom. Magical snowflakes dance all around them

(Jenna Roberts as the Snow Fairy with Artists of Birmingham Royal Ballet; photo: Bill Cooper)

Act II sees the pair enter the magical Land of sweets, ruled by the Sugar Plum Fairy (perhaps this is where Willy Wonka got his inspiration from?) To celebrate the victory and to thank Clara for her help, the Sugar Plum Fairy enlists the help from sweets all over the world, who each perform for the pair, including the famous dance of the Plum Fairy.

(Yaoqian Shang as the Sugar Plum Fairy in The Nutcracker; photo: Bill Copper)

As the celebrations draw to a close, Clara and the Nutcracker are lead to a sleigh pulled by reindeer. Everyone waves them off on their journey, much like wedding guests to newly wed couples, and this ends the production, although there are multiple alternative endings around.

(Company dancers photo curtesy of Northern Ballet)

With such a magical, enthralling story, enough sweets to send the kids climbing the walls on a sugar high, and a heroine little girls would dream to be, The Nutcracker is a wonderful way to introduce young children to the ballet world and the theatre, and would also make a wonderful family tradition to watch it year after year.

(Image courtesy of The Scottish Ballet company www.scottishballet.co.uk )

Disney must appreciate the magic of Nutcracker, as they are currently producing a live action adaptation – The Nutcracker and the Four Relms, due to be realised November 2018, just in time for the festive season (top marks Disney) which promises to be every bit as magical as the ballet, if not more. Definitely one to put on your calendars for next year! Watch the official trailer here https://www.facebook.com/DisneyUK/videos/654986464672105/

So, the little ones are tucked up in bed, while visions of sugar plums – hopefully not evil mice kings being stabbed to death – dance in their heads, I’d like to take this opportunity to thank you all for reading and supporting this blog, this is my dream coming to life and I’m hugely honoured and grateful to have you all share it with me. There’s only one thing left to say…….

“Merry Christmas to all, and to all goodnight!”

See you in the New Year,

Dance Niche

Want a bigger dance fix? Follow us:
Ballet classics – Sleeping Beauty

Ballet classics – Sleeping Beauty

Everyone is so familiar with the story of Sleeping Beauty, with thanks to the Disney version. The ballet version is based on the tale from The brothers Grimm, and has slight differences.

The music was written by Pyotr Ilyich Tchaikovsky,  and first performed in 1890, originally called ‘The Sleeping princess’.  King Florestan and the QUEEN are celebrating the christening of their daughter PRINCESS AURORA.  Among the guests are 6 magical fairies (the names of the fairies change from production to production) with the most important one being the LILAC FAIRY.  They each give a gift, but as the Lilac fairy goes to give hers, the evil fairy CARABOSSE arrives, angry at not being invited. The King blames his Master of ceremonies, who Carabosse beats with her stick before placing a curse on the baby, on her 16th birthday, she will prick her finger on a spindle and die! The lilac fairy intervenes, and although unable to undo the curse, she is able to alter it, so that the Princess falls into a sleep for 100 years to be woken by a kiss from a prince. Everyone is out at ease and the festivities continue.

Aurora’s birthday arrives and there’s lots of dancing and potential suitors for her to meet! A cloaked stranger offers her a gift, a spindle, and as she has never seen one, she’s curious and takes a closer look. She pricks her finger and falls to the floor. Carabosse reveals herself from under the cape and is satisfied she is dead. The Princess is carried off to bed and the Lilac fairy goes about putting a spell over the castle and it’s people to also put them in a deep sleep, only to awake when the Princess does.

Fast forward 100 years and we meet  PRINCE DÉSIRÈ out in a hunting trip. The Lilac fairy appears to him, having chosen him to awake Aurora, and takes him to the castle. Carabosse has one last attempt at stopping them, but fails. The prince finds Aurora, kisses her and she wakes, as do the rest of the people. The King and Queen are ecstatic with the Prince, and he proposes to Aurora, which she accepts.
The final act is the wedding. The Lilac fairy, along with the other fairies and some recognisable guests from other fairy tales are in attendance. The prince and princess are wed with the Lilac fairy blessing the union. Then all the guests gather and create a tableau to end the ballet.

Did you know that Walt Disney actually bought some of the rights to the music from Sleeping Beauty, which is why some of it appears in the film. Some people claim that fact inhibits some productions of the ballet due to copyright laws.

Sleeping Beauty was always my favourite story growing up. I think it’s that love can overcome evil. I have yet to see this in production, but it’s down on my list! 
Alicia 💗

Want a bigger dance fix? Follow us:
Ballet classics – La Sylphide

Ballet classics – La Sylphide

Jurgita Dronina and Harrison James dance in La Sylphide. (ALEKSANDAR ANTONJEVIC

Here we have another story of magical beings, love, betrayal and star crossed lovers. Spot a theme?!

La Sylphide is actually one of the oldest surviving ballets, dating back to 1832! The version we live and know today was choreographed by August Bournonville in 1836.

It’s set in bonny Scotland around a man named JAMES and his fiancé Effie on the lead up to their wedding in a country farmhouse.

One night, James falls asleep by the fire, a SYLPH (a forest spirit) falls in love with him, dances around him and eventually kisses him. As he wakes up, she disappears. James wakes his friend GURN, who doesn’t know anything about the Sylph. James puts it behind him and thinks about his upcoming wedding.

As Effie and her bridal party arrive, James goes out to greet them but sees a shadow behind them. He runs over, thinking it is the Sylph, but instead he finds OLD MADGE, a local witch. James is disappointed. Effie asks the witch to read their fortune. She tells her that James is in love with someone else and that Effie will end up with Gurn. James is angry and forces Old Madge to leave.

James is alone and the Sylph appears to him again. He is totally captivated by her and they kiss. Gurn sees all this and runs to tell Effie. But when everyone arrives in the room to see what’s going on, the Sylph has disappeared and they think Gurn has made it up out of jealousy. Festivities and dancing break out. The Sylph returns and takes the wedding ring off James, putting it on her own finger and running off into the forest. James immediately follows leaving Effie heartbroken.

The Sylph introduces James to her forest friends and they dance for him. Meanwhile the other guests have followed into the forest looking for James. Gurn finds his hat, and comes across Old Madge. She tells him to propose to Effie, which he does and she accepts, then they leave. James returns and Old Madge gives h a magic scarf. She tells him it will bind the Sylph to him forever and they can be together.

Reunited with the Sylph, he loves the scarf around her, her wings fall off, but she then dies. He sees her spirit above him and collapses. Madge is happy with the results.

Another ballet from the romantic era, so expect dreamy long tulle skirted tutus, lots of Georgia and elevation in allegro sections, and gorgeous little freeze frame moments. A good dash of Scottish dancing, bagpipes and kilts make it a much more colourful affair! But I have to say, I’m not a huge fan of these endings, I’m a typical ‘happily ever after’ kind of girl. Maybe I’ll start re writing my own endings!

Alicia 💗

Want a bigger dance fix? Follow us:
Ballet classics – Coppélia

Ballet classics – Coppélia


I’ve always been fond of this ballet. I love the theatrics involved, the doll-like actions and the fact that ballet doesn’t have to be serious – it can have humour too! Coppélia is a light hearted ballet, and popular as an introduction to ballet for young children.

The story starts out with 2 young lovers, Swanilda and Franz, who are planning to marry during a village festival. Swanilda has recently noticed Franz paying a lot of attention to a girl named Coppélia, who sits on the balcony of a house owned by local crazy inventor Dr Coppélius. Franz is determined to catch her attention, and Swanilda is left heartbroken and runs away.

One day, Dr Coppélius goes out, and loses his keys. Swanilda finds them, and with her friends, goes to investigate his house, and find out more about Coppélia. At the same time, Franz has decided to climb up to the balcony to meet the girl he is captivated with.

Upon entering, Swanilda realised that all the people in the room are in fact life like dolls, including Coppélia! She and her friends begin to wind all the dolls up. Dr Coppeélius returns, and is angry the girls have trespassed and disturbed his work, throws them out! He then finds Franz on the balcony but instead of sending him away as well, he invites him in. Unbeknown to Franz, the Dr wants to bring Coppélia to life, but needs a human sacrifice! He intends to kill Franz and take his soul to put into Coppélia. He feeds Franz some bread that has sleeping powder on it and Franz falls asleep. 

However Swanilda has been hiding in the workshop the whole time! She dresses up in Coppélia’s clothes and begins dancing, pretending the doll has come to life! She quickly wakes Franz, then winds up all the other dolls again to help them escape. Dr Coppélius is sad to find a lifeless Coppélia still behind the curtain.

As Franz and Swanilda are about to make their vows, Dr Coppélius interrupts and angrily demands payment for the damages they caused. Swanilda is sad that she has caused an old man such grief so offers her dowry as an apology. Franz steps in and offers to pay the Dr instead. Just then, the village Mayor gives the Dr a big of money. The happy couple marry and everyone celebrates. 

This is a ballet that not only the audience but the dancers themselves can have a lot of fun with. They can really use their acting skills, their comedic timing, their over the top dance moves, particularly for the dancer as Coppélia. When I was younger, I attended a repertoire workshop, and we were all taught how to be transformed into dolls! It was so much fun!  Very different to ballet in ways, flexed feet, rigid body, bent square arms. I love how subtle changes in choreography can instantly give a dancer a different feel, or in this case, a wooden one!

If you haven’t seen this ballet, I urge you to watch it next time you have the opportunity. You be pleasantly surprised how ballet and comedy can come together so easily! 

Alicia 💗

Want a bigger dance fix? Follow us:
Ballet classics – Giselle

Ballet classics – Giselle

Giselle is a story about the true power of love, and I can’t help but be wrapped up in it!

Originally performed in 1842, Giselle was written in the romantic era of ballet (think long flowing tulle skirts and picture perfect postcard poses) It’s about a peasant girl Giselle, who lives a simple and happy life with her mother. Giselle loves to dance, but her mother always worries about her and is overprotective, as she has a weak heart. 

During festivities for Harvest, a young nobleman, Duke Albrecht, visits the village and falls madly in love with Giselle, even though he is already betrothed to another, Bathilde. With help from his squire, he disguises himself as a peasant boy by the name of Loys, and woos Giselle, who falls in love with him.

Giselle has another admirer in the village, Hilarion, who goes to Giselle to warn her Loys cannot be trusted, and not to get involved with him, but she does not listen. At the festivities, there is lots of dancing, and Giselle and Loys dance together. Meanwhile Hilarion has discovered the truth about Loys, and outs his secret in front of everyone. Poor Giselle is devastated at being deceived by her lover, flies into a crazed episode “the mad scene” completely heartbroken, she starts to dance irratically, which proves too much for her fragile heart, and she passes away in Albrecht’s arms, who then flees the village in guilt.

Hilarion visits Giselle’s grave, but is scared away by The Wilis, a group of maiden spirits who were betrayed by their lovers. Their leader Myrtha, is particularly scornful, and together they seek out men and make them dance until they die of exhaustion as their revenge. Myrtha summons Giselle from her grave, just as Albrecht comes to pay his respects. He begs Giselle for forgiveness, and because her love for him is so strong, she accepts, then disappears, Albrecht following behind.

Meanwhile The Wilis have found Hilarion, made him dance until exhaustion, then drowned him in a lake. They then turn on Albrecht. He. He and Giselle beg Myrtha for him to be spared, but she does not listen, and makes him dance until dawn. However, the power of Giselle’s love is so strong, it breaks the Wilis spell, and Albrecht lives. At sunrise, the wilis return to their graves, but Giselle’s love has also broken their hold over her. She  returns to her grave and can rest in peace.

The choreography plays a big part in this ballet, particularly for The Wilis. The endless courus, that glide so effortlessly across the floor, as though they were hovering, the lightness and height in the jetes, combined with the floating tulle skirts, and continuous flow of the arms in ports de bras, actually transform them into ghosts right before your eyes!

Such a beautiful story, one that is still relevant today. It offers hope,that even though we can be hurt, lied to, betrayed and heartbroken, love really is the most powerful thing. It will mend, it will repair, it will teach us to trust again. And there’s no better story than that!
Alicia 💗

Want a bigger dance fix? Follow us:
Ballet Classics – Swan Lake

Ballet Classics – Swan Lake

This is a new series of blogs about the great ballet classic stories, that we may or may not be familiar with. You may have seen one of them, you may have seen them all, so this series will either reignite your passion for your favourite, or enlighten you  with a new story.

How could I begin without starting with Swan Lake. It is my, and I’m sure, many of yours, favourite ballet. It is a tale of enchantment, love, perseverance, deceit and betrayal. The main character, Odette has been put under a curse by the evil Rothbart. By day she is forced to live as a swan, with others who suffer the same fate, only transforming to her human form at night. The only way to break the spell is for a man to declare eternal love for her. Enter Primce Seigfreid. He discovers Odette on a hunting trip and completely captivated by her, falls in love. He slowly wins the love of Odette, and invites her to a ball at the palace. Rothbart is furious that his spell might be broken, so sends his daughter Odile, to the ball. She entices and tricks poor Siegfried into him thinking she is Odette, and he declares his love for her. At this, Odette’s heart is broken. Unable to cope with living as a swan forever, she takes her own life, as does Prince Siegfried, who is distraught at the realisation of what has happened. Don’t worry though, true love conquers all, all they are reunited in death for eternity.

I’m not entirely sure what makes Swan Lake such a hit. I think it’s a real combination of things coming together to create a masterpiece that even non ballet lovers have taken to their hearts. The music, written by Pyotr Ilyich Tchaikovsky,  is wonderful at setting the tone for each event. The costumes for the swans encapsulate the elegance, the signature moves and positions which are immediately recognisable, and the wonderful choreography and perfect synchronicity of the corps de ballet, which have a huge role in telling the story, and wouldn’t be the same without them. 

My favourite part about Swan Lake, which has always inspired me, is that the roles of Odette and Odile, are played by the same ballerina. Each role is strenuous enough that they could be separate roles, so the prima ballerina must have enough strength and stamina to be able to perform both. It’s the most physically demanding of all the balllets. Not only must the ballerina have the technical ability, she must be the ultimate actress. She must be able to portray Odette/Odile in their own right. Facial expressions, subtle changes in posture, demeanour. If you’ve ever seen Swan Lake, it’s the ballerina is almost unrecognisable from when she starts as the white swan, the epitome of purity, delicate, shy, elusive, unassuming and gentile, to when she enters as the black swan, bold and brash, sly, seductive and confident. They are polar opposites, and for the same ballerina to use all her skills and allow her to transform, is a true spectacle and what contributes to the magic.

I cannot write this blog without talking about ‘the dying swan’ scene. The music is haunting. It was created for the great Anna pavlova. If you haven’t seen her perform it, I urge you to look it up. Yes, you can tell how much ballet technique has progressed, but the feeling she puts into it is like no other. She really becomes the dying swan. You can feel her pain and heartache. You can feel her beginning to get tired and let go, then the frantic last moments of resistance before she finally gives in and succumbs to death. She is mesmerising.

Ultimately, I think it’s the love at the heart of the story that captivates us. Two peaople coming together, so beautifully, only to be torn apart. We love when love prevails, even if that has to be in death. Love knows no bounds, and Odette and Seigreid remind us of that.

Be sure to keep an eye on my Instagram and Facebook pages, where I’ll be posting some videos and photos of the iconic steps and poses!
Alicia 💗

Want a bigger dance fix? Follow us:

Email newsletter

Please follow & give us a like!

Enjoy this blog? Share with your dance crew!