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Tag: palace theatre manchester

Dirty Dancing on Stage | Review

Dirty Dancing on Stage | Review

The 1987 box office hit Dirty Dancing is one of the most popular, classic films of all time, thats why I included it in my list of top dance movies you can read about here http://danceniche.com/2017/12/28/top-dance-movies-you-need-to-watch/ The film also includes one of the most iconic dance scenes, replicated at weddings everywhere! The musical version first hit stages in 2006, and became the fastest ever selling west end show! After productions being rolled out world wide, the current adaptation came back to UK soil in 2011, with this tour starting in September 2018.

Right from the offset, you know you’re in for a real treat of an evening! The clever staging of Kellerman’s is almost like an exact replica, instantly recognizable, including other focal points like the wooden stairs leading up to Jonny’s chalet, the front of his black Chevrolet, and the infamous stage inside the main house.

The music transports you straight away, and although songs in their own right, they are now interwoven with the movie. I have to say, this stage production is just like watching the movie itself. Casting choices, costumes, actors mannerisms are all a perfect homage to the film. Classic one liners like “I carried a watermelon” are all been included for you to mime along with. That being said, there are some wonderful added scenes to pad out sections of story telling that just wouldn’t correlate on stage, and some comedy moments thrown in for good measure!

Kira Malou plays Baby, and is one such character who certainly adds to the laughs! The scenes where she intersects the staff party and has her first taste of saucy swaying is hilarious. Kira’s facial expressions, gawky awkwardness and over the top stiff hip movements have the audience in hysterics! It’s plain to see she is an able dancer, but to portray a character as having no dance experience at all is highly commendable.

Jonny is played by Michael O’Reilly and with his honed physique, snake hips and pants so tight they might as well have been spray painted on, embodies the late, great, Patrick Swayze. It’s undeniable that Swayze made the role his own, and no one could ever recreate that magic, but Michael did an honorable job, and I could think of no one better for filling those boots. The brooding arrogance he brings to the role is offset only by the puppy dog eyes he makes at Baby, making every girl in the auditorium wishing they could trade places with her!

Simone Covele, with her gazelle like legs that seem to go on forever is the perfect choice to play Penny, and boy, does she know how to use those legs! Not only do her legs seemily go up to her ears, but they go beyond that when she unleashes a kick or extension, and with such explosion, , implores gasps of amazement!

The level of dance technique is outstanding. Multiple pirouettes, acrobatics and death defying lifts keep the audience yearning for more! The energy from every single member of cast and ensemble really helps to give the show a buzz that never comes down! The iconic dance scenes from the film are all present on stage, including ‘spaghetti arms’ ‘lover boy’ and THAT LIFT!!!! Michael lifts Kira, but together in that moment they lift the roof off with the rraction from the audience. It really is a special moment and one I have never experienced before!!

Favorite moments include the lake scene which is cleverly devised with set, lighting and sound and not without its own injection of humour, the end dance scene with cast and audience in a state of euphoric ecstasy, and the band keeping the party atmosphere going well after the finale. There are a few, let’s say ‘cheeky’ moments from Michael, lovers doing what lovers do, and rather raunchy dance moments that might prove a little too informative for younger members of the audience, amd it does carry an age guidance of 12+, but on the whole, the show is wonderfullyand thoroughly entertaining!

Dirty Dancing – the classic story on stage – is currently showing at The Palace Theatre Manchester untill Saturday 27th April, tickets can be purchased here https://www.atgtickets.com/shows/dirty-dancing-the-classic-story-on-stage/palace-theatre-manchester/ It moves on to Guilford, before returning up north and across the Mersey to the Liverpool Empire 6th-11th May, and continues it’s tour, ending in August. Full details of dates and locations cam be found on the official website https://dirtydancingontour.com/ .

This is definitely one show you do not want to miss, and with ticket proces starting at just £13, it’s an absolute steal!!! I can guarantee you’ll be doing salsa in your seat and cha cha to the car!

Dance Niche

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Dirty Dancing Tour Cast Q&A

Dirty Dancing Tour Cast Q&A

Dirty Dancing is inarguably one of the most iconic dance films…….ever!! So much so, that I included it in my top dance movies, which you can read about here http://danceniche.com/2017/12/28/top-dance-movies-you-need-to-watch/

but did you know that there is a staged musical version currently touring the UK?! The Dirty Dancing Tour is set to hit The Palace Theatre Manchester next week, and to entice us, cast members Kira Malou as Baby, Michael O’Reily as Jonny and Simone Covelle as Penny, answered a few questions on being involved in such a cult classic!

How does it feel taking on such iconic roles?

Michael: Once you get over the fact that it’s quite a daunting role to take on because it’s so well-known it’s just really exciting. Everyone is so familiar with the show and they’re so familiar with the characters that you’re just excited to do it justice, you’re ready to put in the work and bring it to life.

Simone: I agree. It’s so exciting. Being able to play such an iconic role in a show that brings the movie to life on stage is an amazing privilege.

Kira: It is really exciting but of course there’s also a lot of pressure to do the characters justice because they are so well-known and so iconic.

What’s your approach in terms of bringing a fresh take to the characters?

Kira: I don’t want to stray too far from what Jennifer Grey did in the film because I personally feel the choices she makes are things I’d do as well. Although I’m being a bit bolder with the choices so when she’s being sexy, I want people to be able to see that “Baby” can be really sexy, fiery and smart – to really show the depths to her.

Michael: It’s about ‘How would I behave if I was in the same situations?’ That frees you up to bring something of yourself to the role, to put elements of yourself into the portrayal.

Simone: It’s about thinking ‘What would I do in this situation?’ whilst thinking about Penny and the era in which the story is set, namely 1963. It’s such a different time to now and what she goes through is quite heavy so to think ‘How would I feel if I was in that time and that situation?’ is a great help because in real life I have a very different personality to her.

In what ways can you relate to your characters? And in what ways are they completely different?

Simone: The big red flag for me is what Penny goes through. She’s in quite a sticky situation and has to make some big decisions. I feel she’s quite isolated and that’s a struggle for me to understand because I’ve never really been isolated myself or had to make massive decisions that would have such a major effect on my life. But I love the fieriness of her, although it’s hard being mean to Kira on stage when we get on so well, I can relate to her passion for dance.

Kira: I’m not proud to say it but I’m not like Baby in terms of education. She knows a lot about politics and what goes on in the world but I feel I’m not in touch with that side of myself as much. But I do feel quite similar to her in that I remember when I was 17 and the first time I fell in love and doing so much to be close to that person – things I’d never think to do on a regular basis just to be with someone. I also relate to the closeness she feels with her family.

Michael: Obviously Johnny in the show is a dancer and I trained in dance myself so that’s kind of the hook I latch onto. We come from a similar background, with the training everyone has to go through, but fortunately I haven’t gone through the serious, crippling financial situation Johnny has been through or the unexplained relationship with his dad and the fact his mum is never mentioned. That’s a whole grey area that we don’t even know about and it’s a part of the character that I have to work to understand.

How is the classic story recreated on stage?

Kira: The script is the same as the film scene-by-scene, with a few extra little surprises in there, and I feel it’s done really well. The set is a smaller replica of the actual Kellerman’s resort and in fact there are three big trucks they use for the staff quarters, the inside and outside of the hotel and the resort cabins. The music, of course, is so iconic and it’s done so well with the live band being on stage. They are fantastic musicians.

Michael: The team do such a good job of bringing the story to the stage so it’s like reliving the film live. You’ve got all the dances, all the music, the band’s on stage kicking butt – it’s such a fun show.

Can you recall when you first saw the film and the impact it had on you?

Kira: I vividly remember watching it on videotape because my mum had it and I remember watching the dance scenes in the staff quarters and I was like ‘Oh my God!’ So I knew exactly how Baby feels when she goes to the resort. It was mesmerising.

Michael: I remember my mum watching it when I was really young and being like ‘That’s not my type of film’ as I went off to play sports or whatever. Then I revisited it when I got into the dance industry more and I was like ‘Actually, it’s a really cool film’. The more time I spent in rehearsals looking through the script, which is the same as the film, we talked a lot about it being about bravery and becoming the person you want to be, regardless of your situation and people telling you you can’t. That’s very inspiring and I think that’s why it has done so well.

Simone: When I saw it I was like ‘I just want to be a part of this, to just be in there’ especially with scenes like Do You Love Me? where they’re just having a party and I remember watching the Mambo and thinking ‘My goodness, I want to do that!’ and now I get to do it.

Michael and Kira, how much pressure is there to get the legendary lift right?

Kira: It’s a huge pressure because everyone is waiting for that lift. It’s so iconic to the film, isn’t it? But when it comes to recreating it, I trust Michael. I trust that even if I fall he’ll have my back, but touch wood nothing’s gone wrong yet.

Michael: The fun bit is when we do the lift in the water, which is done by visual effects. That’s fun because it’s where you get to mess it up and go wrong.

What other challenges does the show present for you physically?

Kira: I’m a trained dancer, but I have to appear like I’m not. I have to reverse everything I’ve been taughtand make it look bad, without making it look like I’m trying to be bad.

Simone: The Mambo is quite challenging. It sort of comes out of nowhere and is really explosive and fast-paced.

Michael: It’s a very dance-heavy show, as you’d expect, but I don’t think I realised quite how dance-heavy it is until we started rehearsals. There are a few numbers back to back and you’re dripping with sweat, like ‘Oh man, we’ve got to go on for the next number’ before you’ve even got into the next costume. Physically it’s a tough show but that’s why we do it – we love that challenge.

And what are the emotional challenges?

Michael: All of our characters have a moment where we have to go to that place emotionally and it’s always a challenge, but as an actor I feel like those are the fun moments too because they’re the moments where you can be brave enough to go to that place and feel all those feelings. You trust the audience is there with you and your partner is with you on stage emotionally too.

Simone: I think most of us break down into tears at some point in the show and you don’t want to make it look fake so you have to make it as real as possible. When you come off stage after a scene like that, you just have to shake it off because you get really emotional. It’s a rollercoaster but it’s exciting.

Kira: You have to take yourself to a place that maybe you don’t want to go to on that day but you just have to let yourself go there. In the scene where Baby is talking to her dad there’s this big monologue and it’s quite emotional, then you have to come off from that scene and go into the next scene with a new mindset whereas in real life you’d have a few hours to sort yourself out.

The music is a massive part of the Dirty Dancing experience. Do you have a favourite song from the show?

Kira: Hungry Eyes. I love that song and always have. Before I even auditioned for the show it was my alarm in the morning!

Michael: For me it’s (I’ve Had) The Time Of My Life. It was a massive hit and it’s such a popular song.But it’s my favourite because it comes right at the end of the show. It’s such a climactic moment where everyone is on stage dancing together and there’s a moment where Johnny comes through the crowd so there’s a real connection with the audience.

Simone: Mine’s Do You Love Me? Love the routine, love the song, and it feels free where it’s like a party scene with your mates. It’s really raw and fun.

Michael, this is your professional debut. How are you finding it?

Michael: It’s been indescribable really. It’s been an amazing journey and I’m so privileged to be able to do it. It’s a great role, a great show, the cast have been amazing, the team have been fantastic, everyone’s helped me along on the journey and it feels like we’ve become a really strong team.

What are you all most looking forward to about taking the show on tour?

Kira: I love connecting with different audiences in different venues. We get excited moving around the country so we’re buzzing on stage and the audience feeds off that.

Michael: I think we’re really lucky to take the show on tour because we get an opening night every week. It also means you get to perform for a huge range of people and the fact you’re travelling together makes you a stronger company.

Simone: It keeps it exciting because you’re not within the same four walls for a long time. It feels new each time and for me, being from Australia, getting to travel the UK is awesome.

What’s the one thing you couldn’t be on the road without?

Michael: I’d have to say my NutriBullet…

Kira: [Laughs] Six-pack yawn!

Simone: For me, it’s my hubby. He’s coming on tour with me so he’ll be my taxi driver.

Kira: I like to have books with me. I do like reading and it’s nice to wind down after shows by taking yourself off to some imaginary place.

It sounds amazing! But don’t just take thier word for it, check out the trailer here!!! https://youtu.be/bgOVcCrZjoo

Goosebumps!!! Dirty dancing Tour will be arriving at The Palace Theatre Manchester from Mon 22nd April to Sat 27th April. Ticket and date information can be found on their website https://www.atgtickets.com/shows/dirty-dancing-the-classic-story-on-stage/palace-theatre-manchester/

I will be watching on press night, so keep an eye open for the review article!

Dance Niche

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Interview with Richard Winsor AKA Tony Manero

Interview with Richard Winsor AKA Tony Manero

Richard Winsor is a household name in the UK. Tele addicts may know him as Farther Fransis from Hollyoaks or Caleb from Casualty, whereas dance fanatics would recognise him from the movie StreetDance 3D or as the lead in Sir Matthew Bourne’s critically acclaimed Swan Lake (you can read more about that production here Matthew Bourne’s New Adventure SWAN LAKE Review ) Whether its acting or dancing, Richard’s talents know no bounds, and his latest role – Tony Manero in Saturday Night Fever – allows him to combine 2 of his passions! I spoke with Rich about taking on such a huge task, read on below!

 

D.N. You were classically trained, attending Central School of Ballet and later becoming a company member of New Adventures. Was dance your first love?

R.W. Yes I guess it was. My mum ran a dance school in Nottingham, so I grew up being surrounded by dance, it’s in my blood.Richard Winsor (Tony) - Saturday Night Fever - UK Tour (c) Pamela Raith Photography_090

 

D.N. How did you get into acting?

R.W. Ballet is such a strong discipline which lends itself well to acting, remembering your lines and rehearsing them over and over to commit them to memory. I have just as much love for acting. I went on as many courses and workshops as I could, it was a real driving force for me.

 

D.N. Saturday Night Fever is such an iconic film and combines dancing and acting. Is it a dream role for you, and did you watch the film to prepare?

R.W. It’s the perfect show for me. I get to be physical in the dancing scenes and really show off my acting skills. Its quite a dark and gritty story. This stage production is a brand new version. We’ve tried to stay as true to the film as we could!

* It’s so iconic, I mentioned it in my list of top dance movies to watch! Have a look Top dance films you NEED to watch right now  *

 

D.N Do you have a favourite scene from the show?

R.W. Yeah I love all the scenes with Tony’s family in. You get to see the dynamics of his family and his roots. It helps you to really understand him as a person.Saturday Night Fever - UK Tour (c) Pamela Raith Photography_ 026

 

D.N. Tony Manero, played by John Travolta in the film, is such a big character to play! How did you prepare for that and did you practice his legendary strut?

R.W. Tony is a great character to get into and bring to life. He’s multidimensional. He has this huge love for dance, charismatic and also arrogant, nut at the same time, almost naive to life, until auditions open him up to the world. And yes, I practiced ‘THE STRUT’The Cast of Saturday Night Fever - UK Tour (c) Pamela Raith Photography_013

 

D.N. Tony portrays this big bravado, but is also very self critical and full of self doubt. Have you ever experienced the same and how do you overcome it?

R.W. That’s a great question. I think everyone in this industry will have self doubt at one point or another. It’s almost a natural thing. You face a lot of rejection and it can cripple you if you don’t have the right mindset. You have to take it with a pinch of salt, remember it’s not about your talent, more that you went quite what they were looking for. It’s all about mindset and vision, using rejection and self doubt as a driving force to better yourself. Negativity is dangerous in this line of work. It will kill your performance.Richard Winsor (Tony) - Saturday Night Fever - UK Tour (c) Pamela Raith Photography_023

 

 

D.N. What would be your biggest piece of advice to aspiring actors and dancers out there who want to succeed?

R.W. PREPARATION IS KEY! Actors – really get to know your character so that you become them and give the best of your ability! Dancers – stay physically fit, work on all different genres. To everyone – put the work and time in. Know your role inside out. Be the best you can be!

 

Saturday Night Fever is currently touring and will be visiting the Palace Theatre Manchester from Tuesday 22nd Jan until 26th Jan, tickets available here ATG TICKETS It then continues on its tour to York, Carlisle, Hull, Sheffield and Leeds.

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What does it take to be a musical theatre swing?

What does it take to be a musical theatre swing?

Musical theatre is a tough genre to succeed in. You have to be equally proficient in all 3 styles – dancing, singing and acting – a triple threat. So imagine being hired in a show and having to memorize EVERY SINGLE ROLE! That’s the mammoth task undertaken by a ‘swing’.

Swings are absolutely vital to the smooth running of any theatre production. Not only do they help with prompting of lines, if, heaven forbid, someone forgets, but they are instantly on hand, ready to fill in for roles due to sickness, or any sort of absence. Sam Lathwood is the current swing and assistant dance captain for the Royal Shakespeare Company’s MATILDA THE MUSICAL. Unlike other productions, at least half the cast are children, including the main part. We all know how quickly children can become ill, and you can’t do a show without the lead, so being a swing for Matilda the Musical is most certainly one of the most demanding roles. We spoke with Sam about his job, how he copes, his favourite role, and what it’s like working with the younger members of the cast!

DN. You’re the current assistant dance captain / swing for Matilda the Musical. How do remember all the choreography so well without actually being in the roles permanently?

SL. When we first started to learn the show back in January, it took a lot of staying behind after rehearsals and dancing in my living room to help solidify all of the information in my brain. I work both visually and practically to get the choreography into my muscle memory, and once the choreography has gone in, it’s all about recapping the information, referring back to notes/ maps of the routines and watching the show as much as I can (when I’m not already on stage performing) to help retain the information.

DN. Knowing all the roles so well, who is your favourite character in Matilda and why?

SL. I would say my favourite character in the show has to be Miss Trunchbull, she has some brilliant dialogue, she’s intimidating and dark yet comical and outrageous. She gets to perform a whole solo dance routine with a ribbon in an extremely difficult costume and fly over a vault in her Olympics uniform/skirt. What’s not to like!

DN. It’s a well-known saying that you should never work with animals or children! What’s it been like working so closely with the younger members of the cast of Matilda?

SL. I adore working with the children. They never fail to make you laugh and smile. Their work ethic is always second to none. This is the 5th show I’ve done which has had children in the cast and I find they bring such a unique and exciting energy to the theatre both onstage and offstage that you don’t always get on other shows. I always find that the work our children at Matilda do on stage every evening is very inspiring.

DN. You’ve worked in many musical theatre hits such as Charlie and the Chocolate Factory and Elf the Musical to name a couple. How does Matilda differ to the others?

SL. Matilda actually has the same choreographer as Charlie and the Chocolate Factory (Peter Darling) so I started Matilda with an understanding of the way the choreography might work. But compared to other shows I’ve done, the storytelling in Matilda is very detailed, specific and plentiful. The show also has a very dark story throughout, unlike Charlie Bucket, Matilda doesn’t get her ‘golden ticket’ until the very end of her story.

DN. Which is the most challenging scene and choreography in Matilda to work on?

SL. I would have to say all of the gate choreography in ‘School Song’. It makes a lot of sense and flows nicely once you’ve got it, but it took many more rehearsals to get there. What I love about the number is that you still get that massive rush of adrenaline each time you dance on the gates.

DN. This year, Matilda celebrated its 30th year since first being published, and has since won many accolades, particularly with the musical adaptation. Where do you see yourself at 30?

SL. I’m in total denial that one day I’ll no longer be in my twenties that I haven’t even thought about being 30 yet! Hopefully I’ll be happy and dancing my 30 year old heart out.

DN. Lastly, a famous quote from Matilda is “somewhere inside all of us is the power to change the world” If you could make 1 change, what would it be?

SL. My one change would be to somehow eliminate the huge amount of plastic that is contaminating our planet. I’m a huge fan of watching Blue Planet and it disappoints me that over 8 million tonnes of plastic and rubbish ends up in the ocean each year, come on humans!

Well said Sam.

 

Matilda the Musical is currently on stage at the Palace & Opera House Manchester until 24th November. Tickets are still available at ATG Tickets Palace Theatre , with an incredible special rate of only £5 for 16-25 year olds (terms and conditions apply) before it continues on it’s spell binding tour of the UK finishing August 2019! You can find more details of tour dates, locations and book tickets on the website here Matilda the Musical . Watch out for my review article of the production, and vlog from when I went backstage at the Palace Theatre Manchester, and got to nosey around the dressing rooms of the cast!

Dance Niche

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