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Tag: Matilda on stage

Matilda The Musical Review

Matilda The Musical Review

The story of Matilda is a childhood classic, written by one of the nation’s favourite children’s authors, Roald Dahl, and is celebrating its 30 year! The musical adaptation will soon be entering it’s 9th year, and is now a classic in its own right, with critical acclaim and no less than 85 awards under its belt! once you’ve seen it, its not hard to see why.

There are so many individual factors that all play their part in making Matilda The Musical such a huge success. The stage adaptation written by Denis Kelly, and the catchy songs and lyrics by Tim Minchin are the corner stones. Imagine the daunting task of taking something as beloved as Roald Dahl’s Matilda, and adapting it for the stage, that would serve the original justice, yet tell a more visual story. The songs and lyrics sit perfectly well within the scenes, blending effortlessly and further enhance the plight of Matilda. You can even buy the Matilda the Musical soundtrack on CD or download it, meaning you can carry on signing them long after you’ve left the theatre!

Next, has to be the innovative and complex stage set. I was lucky enough to go behind the scenes of Matilda at the Palace Theatre Manchester, and the sheer scale of design and function was jaw dropping. Without spoiling the magic of the production for anyone, the stage setting and scenes have their own choreography. Things (and people) fly, slide, and manouver around the stage seemingly effortlessly, yet timings and placements have to be exact and precise, when you factor in the actors on stage at the same time. They harmoniously dance around each other

The already larger than life characters, thanks to the genius imagination of Dahl, are brought to life, larger than ever, by a wonderful adult cast, and enhanced with a ingenious costume wardrobe! Miss Trunchbull, by far one of the most loved characters, or love to hate, is traditionally played by a man. Craig Els is the current actor. His comedic edge, flouncy walk and penetrating stare do the character justice, and evoke hoards of laughter and reactions from the audience. His stature is lofty, but further enhanced by his costume, towers over the children to emphasise the difference.

The biggest mention by far, has to go to the children’s cast, and in particular, of course Matilda. They are Sam Lathwood”s (assistant dance captain and swing) favourite to work with! You can read our interview with him on his role here What does it take to be a musical theatre swing? There are actually 4 whole different children cast that work on a rota basis. The Royal Shakespeare Company do a sterling job of looking after the wellbeing of all the children, even supplying tutors and having their school work posted to them so they do not fall behind academically. The maturity and professionalism shown from ones so young is admirable, their parents must all be so proud! Matilda was played by Emma Moore the night I watched. She blew me away. Her talent is extraordinary. She adds sorrow and cheekiness in equal measures. She builds intensity as Matilda grows in confidence, and particularly in her song ‘Quiet’ is so authentic in her skills, she becomes Matilda.

As for the rest, it is that special touch of magic that you can’t quite put you’re finger on. Just how does Bruce Bogtrotter eat ALL that cake? How does that glass move all on its own? It’s the story of how someone so small and insignificant overpowers rule to fight for whats right, the equality, the justice, the self belief. We all love an underdog story, because it gives us hope and faith of better things to come. That’s what I took away with me from watching Matilda The Musical. That no matter how bad things seem, there is always something that can be done, always light at the end of the tunnel. If you believe in yourself wholeheartedly, then you are an unstoppable force. What a wonderful sentiment to be presenting to our children.

I would recommend for anyone of any age to watch Matilda The Musical. Its family entertainment at its finest, and is sure to capture the hearts of the next generation, continuing the legacy. Matilda is currently on stage at the Palace Manchester until 24th Nov, before moving on to the Wales Millennium Centre, Cardiff over the Christmas and New Year period, and various other venues until summer 2019! For more information on dates and locations, go to the official website Matilda The Musical

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What does it take to be a musical theatre swing?

What does it take to be a musical theatre swing?

Musical theatre is a tough genre to succeed in. You have to be equally proficient in all 3 styles – dancing, singing and acting – a triple threat. So imagine being hired in a show and having to memorize EVERY SINGLE ROLE! That’s the mammoth task undertaken by a ‘swing’.

Swings are absolutely vital to the smooth running of any theatre production. Not only do they help with prompting of lines, if, heaven forbid, someone forgets, but they are instantly on hand, ready to fill in for roles due to sickness, or any sort of absence. Sam Lathwood is the current swing and assistant dance captain for the Royal Shakespeare Company’s MATILDA THE MUSICAL. Unlike other productions, at least half the cast are children, including the main part. We all know how quickly children can become ill, and you can’t do a show without the lead, so being a swing for Matilda the Musical is most certainly one of the most demanding roles. We spoke with Sam about his job, how he copes, his favourite role, and what it’s like working with the younger members of the cast!

DN. You’re the current assistant dance captain / swing for Matilda the Musical. How do remember all the choreography so well without actually being in the roles permanently?

SL. When we first started to learn the show back in January, it took a lot of staying behind after rehearsals and dancing in my living room to help solidify all of the information in my brain. I work both visually and practically to get the choreography into my muscle memory, and once the choreography has gone in, it’s all about recapping the information, referring back to notes/ maps of the routines and watching the show as much as I can (when I’m not already on stage performing) to help retain the information.

DN. Knowing all the roles so well, who is your favourite character in Matilda and why?

SL. I would say my favourite character in the show has to be Miss Trunchbull, she has some brilliant dialogue, she’s intimidating and dark yet comical and outrageous. She gets to perform a whole solo dance routine with a ribbon in an extremely difficult costume and fly over a vault in her Olympics uniform/skirt. What’s not to like!

DN. It’s a well-known saying that you should never work with animals or children! What’s it been like working so closely with the younger members of the cast of Matilda?

SL. I adore working with the children. They never fail to make you laugh and smile. Their work ethic is always second to none. This is the 5th show I’ve done which has had children in the cast and I find they bring such a unique and exciting energy to the theatre both onstage and offstage that you don’t always get on other shows. I always find that the work our children at Matilda do on stage every evening is very inspiring.

DN. You’ve worked in many musical theatre hits such as Charlie and the Chocolate Factory and Elf the Musical to name a couple. How does Matilda differ to the others?

SL. Matilda actually has the same choreographer as Charlie and the Chocolate Factory (Peter Darling) so I started Matilda with an understanding of the way the choreography might work. But compared to other shows I’ve done, the storytelling in Matilda is very detailed, specific and plentiful. The show also has a very dark story throughout, unlike Charlie Bucket, Matilda doesn’t get her ‘golden ticket’ until the very end of her story.

DN. Which is the most challenging scene and choreography in Matilda to work on?

SL. I would have to say all of the gate choreography in ‘School Song’. It makes a lot of sense and flows nicely once you’ve got it, but it took many more rehearsals to get there. What I love about the number is that you still get that massive rush of adrenaline each time you dance on the gates.

DN. This year, Matilda celebrated its 30th year since first being published, and has since won many accolades, particularly with the musical adaptation. Where do you see yourself at 30?

SL. I’m in total denial that one day I’ll no longer be in my twenties that I haven’t even thought about being 30 yet! Hopefully I’ll be happy and dancing my 30 year old heart out.

DN. Lastly, a famous quote from Matilda is “somewhere inside all of us is the power to change the world” If you could make 1 change, what would it be?

SL. My one change would be to somehow eliminate the huge amount of plastic that is contaminating our planet. I’m a huge fan of watching Blue Planet and it disappoints me that over 8 million tonnes of plastic and rubbish ends up in the ocean each year, come on humans!

Well said Sam.

 

Matilda the Musical is currently on stage at the Palace & Opera House Manchester until 24th November. Tickets are still available at ATG Tickets Palace Theatre , with an incredible special rate of only £5 for 16-25 year olds (terms and conditions apply) before it continues on it’s spell binding tour of the UK finishing August 2019! You can find more details of tour dates, locations and book tickets on the website here Matilda the Musical . Watch out for my review article of the production, and vlog from when I went backstage at the Palace Theatre Manchester, and got to nosey around the dressing rooms of the cast!

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