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Tag: Manchester Palace theatre

Fame The Musical | UK Tour

Fame The Musical | UK Tour

Fame is synonymous with the 80’s, shiny spandex and a myriad of coloured leg warmers.  Following the huge success of the original 1980 film, a subsiquent spin-off series was aired, and the immensely talented cast also went on to have a string of creative successes of their own. So the word ‘FAME’ is heavily ingrained in people’s minds, and hearts, but just how well would this new 30th anniversary musical production stand up to the die hard Fame fanatics (myself included) , I was about to find out.

Sat in the auditorium of The Palace Theatre Manchester, there is a buzz of excitement like I’ve never known before a production. As everyone takes their seats, theres a burst of brightly coloured neon lights, and we open on a drummer and guitarist playing the oh-so-familiar chords of a certain ‘light up the sky like a flame’ song. But its just a tantalisingly  slither, as we realise its the beginning scene of auditions at New York’s Performing Arts School. (You can read our advice about auditions here Top Audition Hacks ) We then cut intermintenly to the other auditionees, until the final line up is revealed.

We soon get to the nitty gritty of the production with the freshman year, “a discovery of self” proclaims Mr Myres, the resident drama teacher, (played by Cameron Johnson). We get to meet the main characters, suitably nervous and unsure in disposition, well, apart from the gregarious, larger than life Joe, played effortlessly by Albey Brookes, who knows where the actor end and the character begins?!

Nick Piazza, played by Keith Jack (who shot to fame in the BBC series ‘Any Dream Will Do’) is a serious classical actor, solely focused on honing his skills, and oblivious to the romantic advances of his classmates, Serena Katz aka Molly McGuire, who’s vocals will blow you away in contrast to her nerdy and unasuming character!

We meet Tyrone jackson, (Jamal Crawford) who plays a typical wayward teen, angry at the injustice in the world, particularly surrounding race, but who’s passion and natural flare for dance carry him through. He is instantly attracted to Iris Kelly (Jorgie Porter of Hollyoaks fame) who’s a prima ballerina in the making with all the airs and graces that seemingly come with it. She confides in him that its all an act and she desperately poor, and once her guards are down, they become romantically involved.

Fiery latina Carmen Diaz is played by Stephanie Rojas, is ravenous for fame and will stop at nothing to reach her goal. She strikes up an unlikely partnership with Schlomo (Simon Anthony) a classical trained violinist, who’s father is also a famous violinist, but who’s rather be tickling the ivories of a piano, and sets up a rock band. Mr Sheinkopf is the German music teacher, and vocal about his dislike for rock and roll.

Lambchops played by Louisa Beadal, is the rock chic tomboy, who is the drummer of the band, never taking school seriously, and is constantly mocked by Goody, the trumpet player in the band, for being ‘a girl’.

Then there is Mabel Washington aka Hayley Johnston. She’s a talented dancer/singer, but struggles to reign in her love for food, and consequently, her weight, to the dismay of resident choreographer, Miss Bell, played by Katie Warsop.

All this is headed up by Principal Miss Sherman, (renowned Mica Paris) who’s comes down hard on the kids for not performing well enough academically, but truly loves and cares for every one of them and has the best interests at heart.

The quality of the dancing throughout the show is tremendous, and the energy never wains! We are treated to technically beautiful ballet scenes. Jorgie Porter positively glows whilst executing them, nailing double pirouettes into arabesques effortlessly! (Jorgie told us about her previous dance training when we interviewed her during a press afternoon. You can read about it here Jorgie Porter Talks Fame The Musical ) In stark contrast, the hip hop and jazz styles certainly pack a punch, as do the enviable leg extensions by the ensemble! The whole cast take on each genre with finesse and sense of style, completely maliable and adaptable, which are sought after characteristics in they arts.

Dance and music go hand in hand, and the live instrumentals played by the multitalented cast are seamlessly woven into each scene. You truly believe you are peering in on a band rehearsal, jamming away. As for the vocals, you will be left with goosebumps, multiple times. Keith Jack has a way of story telling to his singing, perfect for the stage. Molly’s high notes are angelic to the ear. Stephanie has a real raw quality to her voice, in perfect harmony to what her character goes through. And last but certainly not least, Mica’s soulful and earthy rendition of “These are my children” received a standing ovation from the audience, mid scene! She blasts out the lyrics without loosing a drop of sincerity, in what is a completely believable emotion and performance.

The show takes us on a journey from freshman year, to senior year show, in which you see the journey the characters make, as they blossom and fulfil their destinies. Those years are melted away by clever snippets of dialogue and scenes to show progression of time. This means there are huge amounts of swift changes for the cast and scenery, but its done in a way to mimic the fast paced nature of being in the arts. Subtle effects like the hushed sound of traffic in the background, add to the believability of New York life. I also have to mention the wonderful addition of the original cast of Fame headshots are illuminated as the backdrop, which light and fade echoing who’s currently in the scene. The journey ends with the whole auditorium on its feet, dancing and singing your cares away to the title song track, in what is almost an immersive theatre experience! I defy you not to join in!

Fame is as relevant and real now, as it was back in the 80’s. Controversial topics such as discrimination, race, drugs, teen angst and unrequited love hit home to many. Being a performing arts student, putting yourself on show and subject to criticism is a tough job, one made incessantly harder by dealing with the normal difficulties of growing up. To quote Miss Bell ” artists are special” and if you’ve got a special something within you, you need to work hard, fight to let it shine and the rewards will be limitless.

The production is currently running at the Palace and Opera House Manchester until 28th July 18, before embarking on it’s mamouth nationwide tour, ending August 2019. To find your nearest venue, dates, and how to book, visit the official website Fame The Musical UK Tour

FAME LIVES FOREVER

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ENB’s ‘My First Ballet – Swan Lake’ Review

ENB’s ‘My First Ballet – Swan Lake’ Review

The English National Ballet have created their ‘My First Ballet’programme, retelling classic ballet stories with more of a U rating, (let’s face it, the world of ballet is often gory and tragic) suitable for little eyes, but still as much artistry and original scores to satisfy any ballet enthusiast. With help from a narrator and a shortened running time, they bring ballet productions to the masses, inspiring the next generation of art lovers.

The Swan Lake production starts with a friendly and theatrical narrator, Louise Calf, on stage, setting the scene and detailing the backstory. She is enthusiastic and expressive, perfect for captivating little minds and getting them to engage, yet quietly sits at the front of the stage and observes the following scenes, as not to become a distraction.

The dancers themselves are all members of ENB’s ballet school. It gives them valuable performance experience, as well as a taster of what it’s like to tour with a production and dance those iconic roles that are the pinnacle of every professional ballet dancer’s career. However, don’t let the fact that the cast are still students put you off. The English National Ballet School is a prestigious education system for only the very best emerging artistes of the future.Although, Swan Lake is regarded as one of the most demanding productions, not least because the characters Odette/Odile are traditionally played by the same dancer, here they are individual roles. However, even the legendary 32 fouettés (series of difficult, consecutive turns en pointe) have been included in this production. On this particular showing, I only counted 29, whether I miscounted whilst being in awe, or the dancer felt something was amiss and didn’t complete the whole series, that in itself is no mean feat, and they were executed perfectly!

The production has been cleverly reworked by Lou Cope, with choreography by Antonio Castilla and musical arrangements by Gavin Sutherland. There is a great emphasis on ballet mime, with is echoed through the narration, further helping to bring the story to life for the younger ones. The music scores have been shortened to keep production time down yet still include the most beloved melodies, and the choreography still contains some of the classic repertoire whilst injecting moments of humour and simplicity. No diving to her death for Odette here. The story now goes that Odile cannot go on with the trickery of the evil Rothbart’s plan, so she reveals her true identity at the ball, scuppering Rothbart’s efforts, and sides with Prince Siegfried and Odette, helping them to overcome the sorcerer and follow the path of true love, whilst Rothbart himself is released from the clutches of the dark side, to live harmoniously, and everyone, in true Disney style, lives happily ever after.

I’d also like to mention the wonderful programme that has been put together, again with little ones in mind. It contains beautiful illustrations by Mark Ruffle, the storyline written down with photos and picture symbols depicting the plot, some classic ballet moves and mimes to spot and even pages to colour in. And of course who can resist production merchandise at the end?!

From start to finish, My First Ballet Swan Lake is a complete sensory experience. It’s a wonderful way to introduce a younger audience to the world of ballet and the arts, perfect for their first to the theatre, and no doubt will encourage them to want to see more productions, as well as perhaps inspiring them into becoming the ballet stars of the future.

The tour is showing at The Opera House Manchester until Sunday 29th, with last minute tickets still available via this link http://www.atgtickets.com/shows/my-first-ballet-swan-lake/opera-house-manchester/or call the box office on 0844 871 3018. They then continue on to;

The Grand Theatre, Blackpool 5th & 6th May

http://www.blackpoolgrand.co.uk/event/my-first-ballet-swan-lake/

New Victoria Theatre, Woking 12th & 13th May

http://www.atgtickets.com/shows/my-first-ballet-swan-lake/new-victoria-theatre/

Princess Theatre, Torquay 19th & 20th May

http://www.atgtickets.com/shows/my-first-ballet-swan-lake/princess-theatre-torquay/

All information can also be found on ENB’s website www.ballet.org/myfirstballet

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Shrek the Musical

Shrek the Musical

As I sat waiting in trepidation, the green hues of the lights and the sea of ogre ear headbands had already begun to transport me to a land far, far, away. Even the stage curtain was that of a forest canopy. The scene was set! I wasn’t sure how one of the most loved computer animated movies was going to transpire to the stage. Would the writers and creative directors be able to pull it off?! Only time would tell.

In classic fairytale style, a gigantic story book magically opened before our eyes, with the characters seemingly appearing from nowhere. It told the story of a young Shrek, and how he came to be on his own in the swamp. Away with the book, it was time for the real story to begin.

Shrek in the film is such a loveable rogue, brought to life by the incredibly talented Mike Myers. His voice and mannerisms are the very fibres of the character, so how would it be to watch an actor? Would it feel like the actor was simply imitating?! I needn’t have worried. Steffan Harri plays a wonderful Shrek, making the character truly his own, almost, if not, more loveable than the animated version. His ogre game is strong.

Every hero needs a side kick, and boy do you get a kick out of Doneky! Marcus Aynton is the best ass ever to have tread the boards! His comedic timing and one liners make him an instant hit with the children, with the writers even throwing a few adult jokes in that are well over the little ones heads, they’ll be too captivated with Donkey’s slick dance moves!

Princess Fiona is played by non other than ‘Call the Midwife’ actress Laura Main. When we first meet her, she is every inch the traditional princess with her fiery long locks and emerald green dress, but as we get to know her more, she really comes out of herself. I guess having freedom after all that time locked in a tower will do funny things to you! Laura brings real grit and a toughness to Fiona that makes you warm to her instantly. Her voice packs a powerful punch, knocking sweet singing birds out of their nests no less and the campfire scene where she has a – let’s just say ‘windy’ competition with Shrek, is pure comedy gold. Toilet humour never fails to crack a smile!

That’s not even the funniest part. Lord Farquaaaaad, played by Samual Holmes, wins the funniest performance award hands down! What he is lacking in stature, he most certainly makes up for in laughs! With the help of some very clever wardrobe tricks and facial expressions to rival that of Jim Carey, you only need to look at him to be amused, and that’s all I’m going to say about it, I don’t want to spoil it for you!

As for the rest of the multitasking cast, I’m tired just watching them!They play various familiar story book characters as well as soldiers, village people, tap dancing rats and 3 particular mice one can only assume were blinded by their own sassiness. Some of their costume changes must have been similar to that of a magicians assistant who steps behind the curtain and out the other side with a completely different ensemble! Their signing, acting and dancing skills are put to the test with each number being so different in style and genre and to pull it off so well is a sign of a true professional.

What I especially liked, being a theatre geek, are all the tiny references to some of the other great musicals around – a trademark dance move here or there, familiar lyrics hidden within a song, and a certain flag flying high to mention a few. Watch closely and see how many you can spot!

All in all, it’s the most fun I’ve had at the theatre in a long time. The joy every single one of the cast is having whilst on that stage is almost tangible, and that transfers to the audience in a way similar to that of a panto – boo and hisses, cheers, cued laughter and up out of your seat dancing to the finale song to finish on a high! Whatever your age, young and old, children and adults alike will not fail to be entertained. It’s such a family affair, I can well see this becoming a tradition for many. Bonding, building fond memories and laughing – lots of laughing, crying with laughter, together. That’s what theatre is all about after all. So follow in the footsteps of Shrek and Fiona, Donkey and Dragon and all the story book folk, embrace your weirdness and find your happily ever after that begins with watching Shrek the Musical.

The show will be staying at the Manchester Palace Theatre untill 28th January. You can book your tickets using this link or telephone number below. https://atgtickets.com/manchester/

Tel:0844 871 3019

The rest of the tour dates can be found on the website https://shrekthemusical.co.uk/

Special thanks to the Palace Theatre Manchester and We Blog North for my first press night. I had a blast, but next time I’ll have my own novelty headband ready!

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