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Tag: family theatre

WIN Tickets To See THE LITTLE PRINCE

WIN Tickets To See THE LITTLE PRINCE

I’m teaming up with The Lowry, Salford Quays, to bring 1 lucky person the chance to win a tickets for a family of 4 to watch Luca Silvestrini’s adaptation of ‘The Little Prince’ on Tuesday 26th November!

Based on the world famous book written by Antoine de Saint-Exupéry, ‘The Little Prince’ tells the story of a young Prince, who leaves behind his tiny asteroid and beloved rose and journeys through the universe, coming face to face with the baffling world of grown-ups! Have you ever heard of a king who reigns over nothing? Or a businessman obsessively counting stars?

Once on planet Earth, the Little Prince is welcomed by a mysterious snake and a truly wise and friendly fox before encountering the lone pilot. Together they discover the power and beauty of friendship and the complexity of love.

The Little Prince is brought to life using Protein’s award winning mix of dance, humour and spoken word. With an original score by Frank Moon, design by Yann Seabra and lighting by Jackie Shemesh, Protein’s new show invites us to look at the world through one’s heart and to reconnect with our inner child.

“Luca Silvestrini is the sharpest of comic choreographers” The Guardian

All you need to do is sign up to our website for free on this link here That’s it! Competition closes Sunday 24th November, with the winner being notified by email on Monday 25th.

*T&C prize is for 4 tickets to watch The Little Prince at The Lowry on Tuesday 26th November. Tickets are non transferable*

Good Luck!

Dance Niche

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10 reasons to take your children to My First Ballet

10 reasons to take your children to My First Ballet

My First Ballet is a special programme conducted by the English National Ballet especially designed to be viewed by children. They take the classic ballet stories we all know and love, and adapt the plot, choreography and staging to make it suitable for a younger audience. Here are 10 reasons why your children will love My First Ballet.

• There are characters they will recognise – many traditional ballets feature iconic characters or are based on well-loved fairy tales, this version of Sleeping Beauty includes Aurora, Carabosse and Lilac Fairy as well as other well-known characters such as Red Riding Hood and Puss in Boots.

Introduce them to new music – Tchaikovsky can rarely be heard on CBBC and this ballet will help introduce them to a whole new world of classical music. There may also be some music that they recognise, the Garland Dance from Sleeping Beauty is featured in the Disney film so may be familiar to young ears already!

They will learn something – most story ballets have a take away message that the audience can leave with, often several, and English National Ballet’s My First Ballet series includes ballets especially designed to help children learn something through the acting and movement. The key messages in My First Ballet: Sleeping Beauty are the importance of inner beauty, kindness, forgiveness and friendship.

It’ll be an experience for the whole family – it’s the perfect treat for children as well as parents. Dance is a universal language, and My First Ballet is also narrated to help explain some of the ballet mime so that the story is clear to any newcomer (young or old).

They can get dressed up – if your children want to go in their favourite outfit, or even ballet costume, anything goes. Going to the theatre can be a very ceremonial affair, or you can stick to casual wear too!

It’s better than watching TV… – if you’re wanting to get your children away from their screens, why not take them to a show – experiencing live theatre and dance is sure to make a more lasting impression on young minds.

The costumes – tutus, sparkles and pointe shoes… need we say more! There’s something for all, with an array of animal costumes featured in Sleeping Beauty as well as the traditional.

They will leave feeling inspired – if you have a blossoming dancer at home, going to see a professional ballet performance will only help inspire them to stick with it, they may even want to try out some new moves!

They’ll be blown away – by the strength and power of the dancers and by the sheer impressiveness of some of their leaps and positions they hold.

They’ll be able to understand everything – the My First Ballet programme includes widget symbols which help everyone to understand the movements on stage, and the narrator also helps to explain the action and ballet mime so that everyone can follow the story.

My First Ballet is wonderful opportunity to introduce children to the theatre for the very first time, yet it proves so effective, that people return with their little ones year after year and enjoy some quality family time together as well as being culturally educational.

My First Ballet – Sleeping Beauty will be arriving at the Manchester Opera House on 25th & 26th May, before visiting Oxford and Tunbridge Wells to compete the current tour. Tickets and all other information can be found here https://www.atgtickets.com/shows/my-first-ballet-sleeping-beauty/opera-house-manchester/

Finally, I’ll leave you with a trailer so you can see how amazing the production is!

https://youtu.be/JBDztQh64Psn

I will be reviewing the production next weekend, so keep an eye on my instagram and facebook pages for sneak peaks in the stories!!!

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Q&A with Cameron Ball Cast Member of The Snowman Stage Production

Q&A with Cameron Ball Cast Member of The Snowman Stage Production

There are a number of things that have become quintessential to a typical Bristish Christmas, pigs in blankets, bad festive jumpers, and The Snowman animation on the tv on Christmas Eve.
Since it’s tv debut in 1982, the story of The Snowman, written by Ramond Briggs published in 1978, has become a huge part of many people’s Christmas tradition. And so, it seems, has the stage production!

Originally staged by the Manchester Contact Theatre back in 1986, it now resides at sadlers Wells Theatre, and has been performed there every year since 1999.
Cameron Ball, one of the cast members, answered some of our questions on what it’s like being part of something so special and what makes it’s so magical.
DN. The original story of Snowman is 40 years old and animated version almost 35. How does it feel to be part of what has become a national treasure?

CB. This is my fifth year performing in The Snowman, both in the title role and more recently in other roles. I feel very fortunate to be part of what is such a highlight of the Christmas season for many families. The story is timeless and always captures the imagination of the children who watch both the cartoon and stage version (now in its 21st year). I’m sure it will be around for another 35 years! Many of the cast and crew return to the show over the years as it’s such a unique production to be part of. This is my fifth time with the show – and it feels like coming back to a family! The show schedule is quite intense so you quickly form bonds with the cast and crew.

DN. Did you watch it as a child?

CB. I’m originally from Australia so the story and cartoon wasn’t a huge part of my childhood, but you quickly realise how much of an institution it is here. Now I make sure I don’t miss it every Christmas!

DN. How does the music make you feel?

CB. Howard Blake’s music is a joy to dance to. There is such a variety of styles and keeps things very interesting. The score is truly made for dance – it feels at once fresh and yet familiar, which is the genius of it I think. Of course, ‘Walking in the Air’ is a classic – there’s always a surge of adrenaline when it plays as you know the story is reaching a climactic moment!
DN. There are no words in this production, the whole story is told through movement. How does that change the way you dance in this production compared to others?

CB. As the cartoon and stage production use no spoken word, it has true international appeal. It means some characterisation needs to be bigger, and the mime and physical theatre is employed throughout. It’s a testament to Bill Alexander’s original direction, and the fabulous team that restage the show each year, that the story is told so vividly even without the spoken word.

DN. What is your dance background?

CB. I trained extensively in ballet, and in musical theatre. The ballet training has been very useful for The Snowman as Robert North’s choreography is rooted in ballet.

My career has mainly been in musical theatre both in the West End and internationally, as well as performing in various dance productions at The Royal Opera House, Royal Albert Hall, Sadler’s Wells and others.

DN. How did you prepare for the audition?

CB. The audition is a mix of ballet, contemporary dance and pas de deux work. Robert North’s style is quite particular so you have to be able to pick this up quickly. I familiarised myself with the story and the character, but the joy (or curse?) of auditioning is you never truly know what to expect! I always go to auditions with a positive attitude and an open mind, as every experience is different.

DN. How long are you in rehearsals before staging the show?

CB. The rehearsal schedule is tight – around three weeks. There is a lot to rehearse as we have three boys who share the role, who each need a fair amount of time, and there are major technical wonders like flying to perfect! The show is a well-oiled machine though – the team pull together and make sure everything is ready for the first performance.
DN. How much work goes into the special effects such as the flying scenes and the snow?

CB. I’m not giving any of the magic away, but let’s just say there are a whole team of people backstage ensuring the flying goes smoothly as it’s no small task! When The Snowman and the boy first take flight, there are always gasps of wonderment from the audience which is really exciting.The snow is a combination of lighting effects and real falling white powder. If you’re lucky you might get snowed on in the audience too!

DN. What reaction do you get from the younger members of audience?

CB. The show is a fantastic introduction to theatre as it encourages our younger audiences to experience a wide range of emotional responses: joy, sadness, suspense, humour, and a bit of magic. The way the story is told is very visual, and it moves along at a rapid pace, so it holds the attention of the children watching. The presence of familiar characters like woodland animals, a feisty cat, toy soldiers and ballerinas, and maybe even a visit from Santa Claus and his reindeer, means there is something for every child.

DN. Finally, what is on your list from Father Christmas this year?

CB. The good thing about performing in The Snowman is you can eat whatever you like over the festive season and stay in decent shape. I’m mostly looking forward to family time over the season, and some of my favourite sweet treats from my home land of Australia would be very welcome!

The Snowman is currently showing at sadlers Wells Theatre until 6th January. You can find dates and ticket information on their website https://www.sadlerswells.com/whats-on/2018/the-snowman/
Watch out for my review article of the production next week for an in depth view of the production and opinions from the youngest reviewers at Dance Niche, my children!
*Special thanks goes to Saddlers Wells, Cameron Ball for answering our questions and photographers Simon Kelski for the headshot and Tristram Kenton for production shot*
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