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Tag: Competition

Comp Etiquette – A Guide To Good Manners At Competitions

Comp Etiquette – A Guide To Good Manners At Competitions

So we’ve previously written about good manners as a dancer in a studio and even dance Mum Manners, but do you know the things that are required of you at competitions and the things that are deemed acceptable?! Yet again, we are here to enlighten you to help you avoid any embarrassment!

ARRIVALS

When you first arrive at the comps, make sure you sign in so they know you are there and hand all music over that is to be played there and then. Make sure the CDs are clearly marked with your name, dance school and genre of dance. Once all that is done, make your way to the designated changing area. You may want to do your hair and make up well in advance, and just get changed half hour or so before your section is due to go on. This will give you time to warm up and suss out the stage area before your performance. We mentioned these things in our Comp Survival Tips article which you can read here.

BACKSTAGE

It is important to remember there will be lots of other dancers and teachers in the wings, whilst another dancer will be performing. You must act appropriately. Keep any warm up routines or practicing of certain elements away from the backstage area. These can be distracting for the dancer on stage and also pose a health and safety risk if there are a lot of others in the same area. Instead, find a quiet, open spot for any last minute practicing and warming up, then head backstage when you’ve got a few routines before you are due on. It’s also considered rude to talk too much or be too loud, as again, it’s disrespectful to the dancer on stage and could distract them from their routine.

CAMARADERIE

This doesn’t just mean to your own troupe or team of dancers, it extends to all the dancers competing, even if from another dance school. It’s good manners to wish a competitor good luck (or break a leg if you’re old school or superstitious like me) before they perform. Once they’ve finished their routine and head back into the wings, clap along with the audience and congratulate them, a simple “well done” will do. It shows no rivalry or animosity between different schools. It’s also customary to congratulate the winners and all other fellow competitors after adjudication, to show no ill feeling. We should be genuinely happy for them. Being humble is an admirable trait to have.

THANK YOU’S

This is a huge part of competitions and costs nothing at all. It should be second nature, but sadly it isn’t always so. Once you’ve danced, you need to curtesy before exciting the stage. It’s nice to look the adjudicator straight in the eye when doing so, it’s like a non verbal way of saying thank you. If you’re lucky enough to be placed, you should step forward out of the line up and curtesy again, to say thank you for being placed. Don’t forget to say thank you to the person giving out the medals, you don’t want to look self entitled or snatch! Be a gracious winner. The adjudicator may say what they particularly liked, what you did well or even some constructive criticism, so make sure you keep eye contact with them whilst they are talking to you to show you are listening. Just because you’ve been placed, doesn’t mean you still don’t have things to learn.

ADJUDICATION

When a section is finished, all dancers will be handed their numbers and sent back on stage for adjudication. Make a decision on which position you will stand – 5th or preparatory position are the most common. You may be stood there for a while, particularly if it’s a big section. Keep to the position you chose, keep fidgeting to a minimum, but most importantly, keep smiling! Once the adjudicator stands up to give critique and award medals, it’s customary for everyone to clap, this includes dancers too. Make sure you listen intently to their feed back, not only to show respect to the adjudicator but there maybe something that you could genuinely take away and learn from, even if it wasn’t directed at you. We mentioned this and other important things to remember in our post about receiving corrections here https://danceniche.com/2017/06/06/receiving-corrections-how-to-be-a-good-student/ As each place is awarded, you should give a small round of applause with the audience, then return to holding your number clearly with that all important smile. Then as the section is dismissed, all dancers should curtesy, as a thank you to the adjudicator and audience, before swiftly exiting the stage.

ENTERING/EXITING AUDITORIUM

Again, this pointer is common sense to most but not common knowledge. When music is playing in the auditorium, a dancer will be on stage. It is so important not to enter or exit whilst music is being played. Not only will it be a distraction for the dancer on stage, it could also distract the adjudicator from watching and critiquing the performance. Once you hear the music stop, quickly and quietly find a seat or exit the auditorium. The compère will try and wait before announcing the next act, but time schedules will already be tight and they can’t wait forever. In between acts, keep talking to a minimum, with a hushed tone. I’m sure I don’t need to mention that there should be no talking whilst someone is performing!!! On that note, anything that could create noise, mobile phones and devices, noisy snacks like crisp packets, even smaller children, you should try and avoid. Babies and toddlers are hard to keep entertained, I know from you experience. If you have to take them with you, bring lots of things to keep them entertained. If they do become upset or too loud and distracting, it’s thoughtful of you to quickly and quietly head out of the auditorium with the least disruption as possible. We all know how toddlers can go from 1 to 10 in lightening speed!

HUMBLE PIE

No one likes a boaster. It’s fine for you to win and be happy about it, but please don’t have a huge mass celebration for all to hear.It’s distasteful and can be upsetting or can come across as gloating. Keep celebrations to a respectful level until you’re home. On the flip side, be happy for your fellow competitors and their wins. They won fair and square and were better than you on the day. Learn from that. Do not show how cross or disgruntled you are in front of everyone. No scowls. Concentrate that disappointment into making your dancing better for next time.

TROPHIES

Most smaller festivals require for any trophies won to be returned the next year. If you receive a trophy, make sure you get in engraved with your name, school and year you won before handing it back, usually on the first day of the festival the following year. Make sure it’s not damaged and has been cleaned or polished, no one wants to receive a dusty trophy!

Lastly, it’s important to remember when you attend festivals and competitions, you are an ambassador for your dance school. You will most likely see the familiar faces of dancers from neighbouring schools who attend the same comp circuits as you. What you do and how you act reflect directly back on the school and earns it a reputation. With the above tips, that reputation will be one of praise and admiration.

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Surviving dance comps as a parent

Surviving dance comps as a parent

Dance competitions and festivals can seem pretty intense, especially for parents of dancers! There’s your baby, all on their own on a stage that seems to swallow them up, not matter how old they are! What if they go wrong? What if they slip and fall? What if they miss a beat, or speed ahead of the music?! In your eyes, they will always be your baby, and you’d do anything to protect them, but there they are, so exposed and you can’t do anything to help them if something doesn’t go quite to plan! But never fear, Dance Niche is here to guide and help you through comp season.

DON’T PANIC

Try to stay calm as much as possible. Children feed off emotions of parents, so you don’t want them to start stressing out and worrying unnecessarily. If they are worrying or nervous, they will look to you to be their rock, so make sure you’re the picture of calmness, even though your stomach is about to turn inside out!

Remember to breathe! The only difference between excitement and nervousness is the amount of oxygen getting to the brain, it’s the same chemical responsible for both emotions. Take big deep breaths in through the nose and out through the mouth. This is also advice we give dancers too, you can read our competitors tips here https://danceniche.com/2017/04/11/top-5-dance-comp-survival-tips/

BRING PROVISIONS

Comps and festivals can be a long day, especially if your children have multiple dances. It’s a good idea to bring some food and drink with you for you and your dancer. The festival organisers afternoon have refreshments available, but if you’re there all day, it can get expensive! Try not to bring anything that’s too messy, so your child can eat in her costume whilst waiting if needs be, but make sure they don’t eat for at least half hour before they are due to dance, to make sure food has settled and they will be at their best.

It can also get very tedious waiting around, so bring a book or iPad to help pass the time. Taking your mind off the waiting will help keep the nerves at bay.

BE ORGANISED

If your have a tiny dancer, you’ll have to do the prep work for them. Make sure you make a check list and have everything ready the night before, including costume, footwear, music, make up and hair box etc. It’s a good idea to get them to help you in the preparations. It teaches them how to be organised and helps them understand what’s needed, as when they’re older, it’ll be their responsibility. If you have an older dancer, you can verbally check in with them to make sure they’ve got everything covered.

ITS NOT YOUR ROUTINE

This one applies to parents of the younger dancers mostly. I know they are small and look like a dot in the stage but it can be incredibly off putting for the adjudicator if you are doing every single step of the dance in the audience. Not only that, how will your child every learn how to take responsibility for their own dance and actually learn it, if they know they’ve always got you mirroring for them. If they have a blip and freeze, give them a small prompt of course, it happens all the time, but that should be enough to jog their memory. Let them get on with it. If they cannot remember the majority of a routine, you have to question if they are ready yet.

REMEMBER WHY YOU’RE THERE

You might feel feel like comps are the worst things in the world, and the added time, stress and pressure just isn’t worth it, but does your dancer think the same? I bet your child loves comps, thrives off them even. They love to perform, and not only does it give them more experience, but they wouldn’t even be doing them if they didn’t want to be up there dancing on their own, centre of attention! If you ask your dancer, they may feel a little nervous pre performance, but afterwards, they’ll be bouncing off the walls with adrenaline. You’re there to support you child, help them build confidence and make memories. If they don’t feel anxious about it, you shouldn’t either.

Being the parent of a comp dancer is often a thankless task, and it’s hard work too but just remember these few tips and it should be a whole lot less of a stressful thing. Don’t forget the other mums too! Competitions bring a real sense of togetherness and camaraderie, so there will always be a seasoned pro Mum there to hold your hand! You will find you might actually start to enjoy comps.

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TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

This is something I’ve been wanting to write about for a while, and is a fairly controversial topic, as there will always be strong views for either side. Before I continue, I’d just like to say that I am in no way advocating poor technique, or the lack of, as we all know technique and good form help keep us as dancers safe and injury free. It’s more to do with current trends in the dance world and of course, personal opinions will always come into play.

With the rise of social media, National T.V competitions and reality shows, dance – and dancers, have been projected not only into the lime light, but into the lives of young aspiring dancers everywhere. They follow their favourite dancers week by week, voting for them to get through to the next stage. They follow their social media accounts with enthusiasm, marvelling at each new pose they post. Instagram has a particularly large and influential dance community, as t.v and professional dancers from all over the world display their craft. Professionals. People who have spent years upon years honing and perfecting their craft with complete and total dedication. And of course much like you and I, they only post the very best photos, the ones that are timed just right to get that perfect shot, the grande jete beyond 180 degrees, the developpe a la seconde by their ear, and the ever popular ‘crotch shot’ aka side tilt, which seems to be as common as leg warmers in the movie Fame! In fact, it’s that common, and some say distasteful, that it has its own hashtag ‘#stopthecrotchshot

We live in a world where how many ‘likes’ your photo receives, dictates how good you are as a dancer. So naturally, young dancers are wanting to emulate the idols they follow, and post the best dance pose they can, hoping to rack up the likes. This has also transpired into choreography. I’ve seen it with my own eyes. More and more I see dancers at festivals show off their acquired skills, one into another, into another, but it’s getting to the point where they are almost showing off. Yes, of course, that’s what they are aiming for. They want to wow the audience and adjudicators with the amazing tricks and displays of hyper flexibility, however these elements are beginning to roll into one another, BAM, BAM, BAM! Quite often, these are the dancers that are placed. The ones who thrill us with their continual display of talent. But is it that thrilling?!

For me, Dance has always been about telling a story, being able to dance with such emotion that the audience pick up on the vibrations, making the hairs on their arms stand on end. You know the exact feeling I’m talking about. A good dancer can move you to tears. It’s part of the magic. You feel like you’ve been let into a private moment. It’s intoxicating, and leaves you wanting more. Can this simply be achieved by a display of capability? I think not. Don’t get me wrong, a well placed trick or element can really add a spectacular highlight to the dance, but it’s more than that. What about the steps in between, the facial expressions to convey the feeling, a well placed pause, a moment of stillness can hold so much tension and captivate an audience so much so the atmosphere is almost tangible. This is the true art of dance surely. To be able to give yourself so fully to a piece, to bare your soul, that the audience are able to re tell the story back, as they live it with you. Martha Graham famously said “great dancers are not great because of their talent. They are great because of their passion” and I think that speaks volumes.

But this doesn’t stop at tricks, and here’s where I could become unpopular with my view, it can also be true of actual technique too. Let’s set the scene……….local dance festival, lots of competitors in a section. There’s that one girl who has been genetically blessed for Dance……..the almost flat turn out, legs for days with slight hyperextended knees giving beautiful lines, feet that arch like bananas, and all the grace and beauty of any prima ballerina that has passed. But she lacks something. That spark behind her eyes, the fire in her belly, the calling from deep within her soul. She dances because she is good at it, REALLY good, but what drives her? Does she perform and project? No, she is selfish with her performance, and has a face like she’s simply stood waiting for a bus. Dare I say it………perhaps slightly boring! Cue the girl that isn’t so genetically blessed. Her legs aren’t as long, she doesn’t have the best turn out but she works with what she’s got and she pointed her feet as much as they allow, but she has something special. She has that ‘X’ factor. She doesn’t want to dance, she needs to. Her face visibly comes alive as soon as she steps on the stage and the audience know instantly they’re in for a treat. She captivated them so much, you can hear a pin drop. It’s also visible when you watch a group dance. There will always be that one dancer who catches your eye whether they are at the front or back. They catch your eye because they perform! They use their face as well as their body. They dance with such passion that it oozes from ever pore. It’s what an audience want to see. They want to watch someone who is interesting and intriguing, who’s fire burns so brightly they too can feel the heat and they get that all over tingling sensation that brings tears to your eyes. Someone who moves them when they dance. It’s echoed very much in the computer animated film ‘Ballerina‘(or Leap if you’re in the U.S) Effectively a battle between a talented girl who’s danced all her life, but dances because that’s what she’s always done, and a girl who has dreamed of being a dancer but wasn’t given the same opportunities, but her passion and determination she’s her through. It makes such a good story, because it’s a true one, “nothing great in the world has ever been accomplished without passion” – Georg Wilhelm Friedrich

So who would win? Ultimately, it’s down to the individual adjudicators, and again, this varies. Some favour perfect technique over performance, but I will always be swayed by that special something a dancer gives. In a perfect world, a dancer would have both, and these rare creatures are the ones that make it pro, all the way to the top, but they are just that, a rarity. Don’t let that stop you though, there is a growing trend in the dance world. Things are changing, slowly, but for the better. Companies are beginning to hire different dancers, differently by age, build race, but that’s a whole other blog post………

So what is your opinion? Which camp do you lie? Are you Team Felice or Team Camille? Content or creativity?

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Top 5 dance comp survival tips!

Top 5 dance comp survival tips!


Last week, I was at a dance comp (or festival, same thing) with my 6 year old daughter. She came 4th with both her dances, and her comp team as a whole, collected a hefty bunch of medals, go Team Elite! When I was younger, I also competed in dance competitions, so I’m in the unique position of having been a competitor AND now a dance mum. (which is WAY harder by the way, I’d much rather be on the stage, than watching my baby on it). Having experience from both sides means I have a few little gems of knowledge I’m going to share with you that will make comps a whole lot easier, whether you’re a seasoned pro, comp novice or part of the entourage.

#1 – Prepare in advance.

You don’t want to be worrying and rushing round the morning of the comp, looking for your stuff and potentially being late, the vibes could effect your performance. Write a list the night before of all the things you need, music, costume, make up, props, and have it all ready by the door. That way you can wake up and have a peaceful mind knowing everything is ready, so you can concentrate 100% on your routine. If you’re doing multiple dances, make a list for each dance, so nothing is forgotten.

#2 – Arrive early.

Make sure you plan to arrive a good 45 mins to an hour before your section is due to start. Comps sometimes run behind, but they also run ahead of time, don’t let yourself be rushed. An hour means you can see the stage or area you’ll be performing on, and perhaps even having a run through on it if there is a break, so it’s familiar to you.  Spacing is essential, so assess what adjustments you may need to bare in mind to make the most of the space you’re dancing in. You will also be able to apply your make up, and dreaded liquid eyeliner, to perfection, because you won’t be rushing!

#3 – Warm up.

Use your time before the section wisely, and warm up fully. It’s so important not only for execution of your steps, but safety too. If you’re body is not fully warm and limbered up before throwing yourself into a routine, it can cause injury. Look after your body! This goes for cooling down too, especially if it’s colder outside. To go from being super warm after just performing, to rushing on out after you’ve finished, can cause your muscles to contract quickly, leaving them tighter. This can cause injury the next time you dance (speaking from experience, pulled hamstring – not good). Spend 5 mins or so just doing some gentle flowing stretches to let your body cool down slightly before being exposed to the elements.

#4 – Team spirit.

Team morale is so important, it can really give a dancer a much needed extra boost. If you’re dancing before or after one of your other team members, it’s really nice to watch and cheer them on. It’s vital for building camaraderie between you, and having that extra support in the audience can make confidence soar. Also, don’t forget your fellow competitors in your section. It doesn’t matter if you came first, or didn’t get placed, it’s correct etiquette to congratulate everyone. A small “well done” is all that’s needed. It will show you are graceful in defeat if you didn’t get placed, and not too big for your boots if you did win. No one wants a reputation for being the resident diva!

#5 – Have fun!

Don’t let nerves get the better of you. Did you know, that the hormones responsible for nerves and excitement are EXACTLY the same?! The only difference – breathing, the amount of oxygen getting in your body and up to your brain. Taking slow, deep breaths will really keep your brain and body on the right side of excitement. Remember why you are there. You obviously love to perform and thrive off it, so enjoy every chance of performance you get. You’ve put in hours of practice to get you to this moment, don’t waste it. Go out there and show the adjudicator exactly why you’re here and what you’re made of! That buzz you’ll feel when the audience applause is so worth it!
There we have it. They might seem like obvious things, or they may not, but they are so important. If you’re competing, I hope they are of help to you. Let me know if you have any tips I’ve not included, they may help someone else too!

Break a leg everyone!

Alicia 💗

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