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Tag: Competition

TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

TECHNIQUE vs PERFORMANCE – Are we losing the art of dancing?

This is something I’ve been wanting to write about for a while, and is a fairly controversial topic, as there will always be strong views for either side. Before I continue, I’d just like to say that I am in no way advocating poor technique, or the lack of, as we all know technique and good form help keep us as dancers safe and injury free. It’s more to do with current trends in the dance world and of course, personal opinions will always come into play.

With the rise of social media, National T.V competitions and reality shows, dance – and dancers, have been projected not only into the lime light, but into the lives of young aspiring dancers everywhere. They follow their favourite dancers week by week, voting for them to get through to the next stage. They follow their social media accounts with enthusiasm, marvelling at each new pose they post. Instagram has a particularly large and influential dance community, as t.v and professional dancers from all over the world display their craft. Professionals. People who have spent years upon years honing and perfecting their craft with complete and total dedication. And of course much like you and I, they only post the very best photos, the ones that are timed just right to get that perfect shot, the grande jete beyond 180 degrees, the developpe a la seconde by their ear, and the ever popular ‘crotch shot’ aka side tilt, which seems to be as common as leg warmers in the movie Fame! In fact, it’s that common, and some say distasteful, that it has its own hashtag ‘#stopthecrotchshot

We live in a world where how many ‘likes’ your photo receives, dictates how good you are as a dancer. So naturally, young dancers are wanting to emulate the idols they follow, and post the best dance pose they can, hoping to rack up the likes. This has also transpired into choreography. I’ve seen it with my own eyes. More and more I see dancers at festivals show off their acquired skills, one into another, into another, but it’s getting to the point where they are almost showing off. Yes, of course, that’s what they are aiming for. They want to wow the audience and adjudicators with the amazing tricks and displays of hyper flexibility, however these elements are beginning to roll into one another, BAM, BAM, BAM! Quite often, these are the dancers that are placed. The ones who thrill us with their continual display of talent. But is it that thrilling?!

For me, Dance has always been about telling a story, being able to dance with such emotion that the audience pick up on the vibrations, making the hairs on their arms stand on end. You know the exact feeling I’m talking about. A good dancer can move you to tears. It’s part of the magic. You feel like you’ve been let into a private moment. It’s intoxicating, and leaves you wanting more. Can this simply be achieved by a display of capability? I think not. Don’t get me wrong, a well placed trick or element can really add a spectacular highlight to the dance, but it’s more than that. What about the steps in between, the facial expressions to convey the feeling, a well placed pause, a moment of stillness can hold so much tension and captivate an audience so much so the atmosphere is almost tangible. This is the true art of dance surely. To be able to give yourself so fully to a piece, to bare your soul, that the audience are able to re tell the story back, as they live it with you. Martha Graham famously said “great dancers are not great because of their talent. They are great because of their passion” and I think that speaks volumes.

But this doesn’t stop at tricks, and here’s where I could become unpopular with my view, it can also be true of actual technique too. Let’s set the scene……….local dance festival, lots of competitors in a section. There’s that one girl who has been genetically blessed for Dance……..the almost flat turn out, legs for days with slight hyperextended knees giving beautiful lines, feet that arch like bananas, and all the grace and beauty of any prima ballerina that has passed. But she lacks something. That spark behind her eyes, the fire in her belly, the calling from deep within her soul. She dances because she is good at it, REALLY good, but what drives her? Does she perform and project? No, she is selfish with her performance, and has a face like she’s simply stood waiting for a bus. Dare I say it………perhaps slightly boring! Cue the girl that isn’t so genetically blessed. Her legs aren’t as long, she doesn’t have the best turn out but she works with what she’s got and she pointed her feet as much as they allow, but she has something special. She has that ‘X’ factor. She doesn’t want to dance, she needs to. Her face visibly comes alive as soon as she steps on the stage and the audience know instantly they’re in for a treat. She captivated them so much, you can hear a pin drop. It’s also visible when you watch a group dance. There will always be that one dancer who catches your eye whether they are at the front or back. They catch your eye because they perform! They use their face as well as their body. They dance with such passion that it oozes from ever pore. It’s what an audience want to see. They want to watch someone who is interesting and intriguing, who’s fire burns so brightly they too can feel the heat and they get that all over tingling sensation that brings tears to your eyes. Someone who moves them when they dance. It’s echoed very much in the computer animated film ‘Ballerina‘(or Leap if you’re in the U.S) Effectively a battle between a talented girl who’s danced all her life, but dances because that’s what she’s always done, and a girl who has dreamed of being a dancer but wasn’t given the same opportunities, but her passion and determination she’s her through. It makes such a good story, because it’s a true one, “nothing great in the world has ever been accomplished without passion” – Georg Wilhelm Friedrich

So who would win? Ultimately, it’s down to the individual adjudicators, and again, this varies. Some favour perfect technique over performance, but I will always be swayed by that special something a dancer gives. In a perfect world, a dancer would have both, and these rare creatures are the ones that make it pro, all the way to the top, but they are just that, a rarity. Don’t let that stop you though, there is a growing trend in the dance world. Things are changing, slowly, but for the better. Companies are beginning to hire different dancers, differently by age, build race, but that’s a whole other blog post………

So what is your opinion? Which camp do you lie? Are you Team Felice or Team Camille? Content or creativity?

Dance Niche

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Top 5 dance comp survival tips!

Top 5 dance comp survival tips!


Last week, I was at a dance comp (or festival, same thing) with my 6 year old daughter. She came 4th with both her dances, and her comp team as a whole, collected a hefty bunch of medals, go Team Elite! When I was younger, I also competed in dance competitions, so I’m in the unique position of having been a competitor AND now a dance mum. (which is WAY harder by the way, I’d much rather be on the stage, than watching my baby on it). Having experience from both sides means I have a few little gems of knowledge I’m going to share with you that will make comps a whole lot easier, whether you’re a seasoned pro, comp novice or part of the entourage.

#1 – Prepare in advance.

You don’t want to be worrying and rushing round the morning of the comp, looking for your stuff and potentially being late, the vibes could effect your performance. Write a list the night before of all the things you need, music, costume, make up, props, and have it all ready by the door. That way you can wake up and have a peaceful mind knowing everything is ready, so you can concentrate 100% on your routine. If you’re doing multiple dances, make a list for each dance, so nothing is forgotten.

#2 – Arrive early.

Make sure you plan to arrive a good 45 mins to an hour before your section is due to start. Comps sometimes run behind, but they also run ahead of time, don’t let yourself be rushed. An hour means you can see the stage or area you’ll be performing on, and perhaps even having a run through on it if there is a break, so it’s familiar to you.  Spacing is essential, so assess what adjustments you may need to bare in mind to make the most of the space you’re dancing in. You will also be able to apply your make up, and dreaded liquid eyeliner, to perfection, because you won’t be rushing!

#3 – Warm up.

Use your time before the section wisely, and warm up fully. It’s so important not only for execution of your steps, but safety too. If you’re body is not fully warm and limbered up before throwing yourself into a routine, it can cause injury. Look after your body! This goes for cooling down too, especially if it’s colder outside. To go from being super warm after just performing, to rushing on out after you’ve finished, can cause your muscles to contract quickly, leaving them tighter. This can cause injury the next time you dance (speaking from experience, pulled hamstring – not good). Spend 5 mins or so just doing some gentle flowing stretches to let your body cool down slightly before being exposed to the elements.

#4 – Team spirit.

Team morale is so important, it can really give a dancer a much needed extra boost. If you’re dancing before or after one of your other team members, it’s really nice to watch and cheer them on. It’s vital for building camaraderie between you, and having that extra support in the audience can make confidence soar. Also, don’t forget your fellow competitors in your section. It doesn’t matter if you came first, or didn’t get placed, it’s correct etiquette to congratulate everyone. A small “well done” is all that’s needed. It will show you are graceful in defeat if you didn’t get placed, and not too big for your boots if you did win. No one wants a reputation for being the resident diva!

#5 – Have fun!

Don’t let nerves get the better of you. Did you know, that the hormones responsible for nerves and excitement are EXACTLY the same?! The only difference – breathing, the amount of oxygen getting in your body and up to your brain. Taking slow, deep breaths will really keep your brain and body on the right side of excitement. Remember why you are there. You obviously love to perform and thrive off it, so enjoy every chance of performance you get. You’ve put in hours of practice to get you to this moment, don’t waste it. Go out there and show the adjudicator exactly why you’re here and what you’re made of! That buzz you’ll feel when the audience applause is so worth it!
There we have it. They might seem like obvious things, or they may not, but they are so important. If you’re competing, I hope they are of help to you. Let me know if you have any tips I’ve not included, they may help someone else too!

Break a leg everyone!

Alicia ๐Ÿ’—

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