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Tag: Andrew Ashton

Q&A with Andrew Ashton, New Adventures Company Member

Q&A with Andrew Ashton, New Adventures Company Member

Sir Matthew Bourne first launched his company, New Adventures, in 2002, after many years of previous success with other works. He has won a whole host of awards and accolades, honouring his contribution to the dance and theatre world, including his knighthood in 2016.

Since 2008, New Adventures has been committed to nurturing and developing new talent, by the means of workshops and projects. Aimed at all ages, genders and abilities, these workshops are hosted to help inspire the next generation of performers and making them accessible for everyone. However, with the great success their production of Swan Lake has seen, with their all male corps de ballet of swans, they particularly help to inspire young males to follow dreams and shatter stereotypes! You can read more about the topic of encouraging boys and men in the dance world in a previous article here Let’s Hear It For The Boys!

We were lucky enough to ask one of the more recent New Adventures company members, Andrew Ashton, a few questions on the company, tour life and his background, as well as topics the production highlights.

DN. What is it like touring and being part of Matthew Bourne’s New Adventures company?

AA. I feel much more connected to the cast and crew than I have with any other show as we are with each other for so much time, at work and also living together and sharing a lot of our free time as a company whilst touring to new cities. It is, however, very much like shows I have done through my training in terms of the etiquette of the rehearsal process, classes and general running of the show, so it feels very normal.
Rehearsal, note taking and general cleaning of choreography is extremely important to New Adventures and therefore, after each class, we have notes with either Matt, Pia our Resident Director or Glenn the Rehearsal Director. Following this, we will either rehearse aspects of the show for that day where someone might be doing a new track or we will spend a few hours revisiting sections in fine detail. We always have a laugh and enjoy ourselves while at the same time remaining focussed and professional and therefore we have a really good and respectful working environment that I feel shows on stage. So on a whole it’s very much what I expected it to be.

DN. How does it feel making your professional debut in something as high profile as Matthew Bourne’s Swan Lake?

AA. It’s a bit of a cliché to say that it’s a dream. However, whenever I was asked which show would be my dream job, I would always say Swan Lake. It’s not just the choreography of the show that makes it so beautiful to perform, but the camaraderie and deep connection that you feel with the fellow swans on stage. Each and every one of us gives our absolute all to every show because we just love and respect it so much. In every performance, I’m able to find something new about the show or about my movement and choreography that surprises me. So, it really is a dream to perform. I’m also very lucky in that I’ll be able to travel to countries and cities that I might have never gone to without this show. I’m always told how phenomenal the Japanese audiences are that I can’t wait!

DN. The production deals with very relevant topics such as oppression, mental health and sexual preferences, as well as creating gender fluid roles. How important do you think it is to portray these issues on stage theough dance?

AA. The stage, just like tv, radio and other art forms is a representation of our world and to me it is more than just entertainment. It’s a way in which we can communicate to huge to our audiences and by extension society about important matters that surround us outside of the theatre. I feel that this is one of the reasons why Swan Lake is so popular, because it’s main focus is the feeling of wanting to be loved and this is something each and every one of us can relate to on whatever spectrum. All these topics are things that our audiences feel and encounter on a daily basis. So, it’s therefore important to portray them and portray them in an honest and respectful way in order to convey the idea of acceptance that is crucial to the whole story line of Swan Lake.

DN. You knew from an early age you wanted to perform and be in the arts genre. Do you have any advice for young students who want to follow the same career path?

AA. My advice is always to just do the things that you love. Everybody has a different idea of what success is and if you let your idea of success be what everybody else thinks it should be then you will never be happy with your accomplishments. My other advice would be to always trust your teacher or mentor, as they may have been in exactly the same position as you and have years of experience on top of that. Eventually you will realise that what they have been telling you for years was right all along.

DN. Tell us about your background training with Laine Arts and how it prepared you.

AA. My training has meant that nothing really has daunted me or has come as a shock when coming straight into the company. I had a very varied training at Laine as we study Musical Theatre and so we’re constantly pushed and pulled between different disciplines and techniques. I feel that this has been extremely useful for Swan Lake as there are actually a lot of different styles within the show. There’s a lot of ballet technique required in Act 1, it’s quite jazz like in the Soho Bar Scene and of course the Swan Acts are very physical and contemporary. This along with my training in acting and musical theatre performance has meant that I felt very prepared to perform and most importantly tell the story through my movement.

DN. What would you say to anyone who was thinking about coming to see the show?

AA. Don’t just watch it once would be my advice! There is so much to see and because the emotion is so raw it’s different each time you watch it. We are lucky to be able to watch the show when we have a show off. I’m moved by it every time and I can’t count the number of times I’ve now seen it!

Sound advice Andrew! You can read my thoughts on the production in my previous article

New Adventures Swan Lake is currently showing at The Lowry until 1st December, with tickets still available, using this link https://thelowry.com/whats-on/matthew-bournes-swan-lake/https://thelowry.com/whats-on/matthew-bournes-swan-lake/ Further details of tour locations can be found on the website New Adventures Swan Lake

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